{"title":"Asian","description":"","products":[{"product_id":"dmz-colony","title":"DMZ Colony","description":"\u003cp\u003eDon Mee Choi\u003c\/p\u003e\n\u003cp\u003eWoven from poems, prose, photographs, and drawings, Don Mee Choi's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDMZ Colony\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a\u003cspan\u003e \u003c\/span\u003etour de force\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eof personal and political reckoning set over eight acts. Evincing the power of translation as a poetic device to navigate historical and linguistic borders, it explores Edward Said's notion of \"the intertwined and overlapping histories\" in regards to South Korea and the United States through innovative deployments of voice, story, and poetics. Like its sister book,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHardly War\u003c\/em\u003e, it holds history accountable, its very presence a resistance to empire and a hope in humankind.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43835725250774,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/81iCKop2U8L.jpg?v=1669307130"},{"product_id":"dictee","title":"Dictee","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTheresa Hak Kyung Cha\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eNewly restored, this version of Theresa Hak Kyung Cha’s masterpiece honors the author's original intentions and vision for the book. Originally published in 1982, \u003cem\u003eDictee\u003c\/em\u003e\u003ci\u003e \u003c\/i\u003eis a classic of modern Asian American literature. \u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDictee\u003c\/em\u003e tells the story of several women: the Korean revolutionary Yu Guan Soon, Joan of Arc, Demeter and Persephone, Cha’s mother Hyung Soon Huo (a Korean born in Manchuria to first-generation Korean exiles), and Cha herself. \u003cmeta charset=\"utf-8\"\u003eThe result is an enduringly powerful, beautiful, unparalleled work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43856150397142,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/A1jFewKbDlL.jpg?v=1669935575"},{"product_id":"exilee-temps-morts","title":"Exilee temps morts","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTheresa Hak Kyung Cha\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eIn her radical exploration of cultural and personal identity, the writer and artist Theresa Hak Kyung Cha sought 'the roots of language before it is born on the tip of the tongue.' Her first book, the highly original postmodern text \u003ci\u003eDictee,\u003c\/i\u003e is now an internationally studied work of autobiography. This volume, spanning the period between 1976 and 1982, brings together Cha’s previously uncollected writings and text-based pieces with images. \u003ci\u003eExilée \u003c\/i\u003eand \u003ci\u003eTemps Morts\u003c\/i\u003e are two related poem sequences that explore themes of language, memory, displacement, and alienation—issues that continue to resonate with artists today. Back in print with a new cover, this stunning selection of Cha’s works gives readers a fuller view of a major figure in late twentieth-century art and literature.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43856155410646,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/9780520391598.jpg?v=1669908411"},{"product_id":"phantom-pain-wings","title":"Phantom Pain Wings","description":"\u003cp\u003eKim Hyesoon (trans. Don Mee Choi)\u003c\/p\u003e\n\u003cp\u003eAn iconic figure in the emergence of feminist poetry in South Korea and now internationally renowned, Kim Hyesoon pushes the poetic envelope into the farthest reaches of the lyric universe. In her new collection, Kim depicts the memory of war trauma and the collective grief of parting through what she calls an “I-do-bird-sequence,” where “Bird-human is the ‘I.’” Her remarkable essay “Bird Rider” explains: “I came to write\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePhantom Pain Wings\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eafter Daddy passed away. I called out for birds endlessly. I wanted to become a translator of bird language. Bird language that flies to places I’ve never been.” What unfolds is an epic sequence of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ebird ventriloquy\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexploring the relentless physical and existential struggles against power and gendered violence in “the eternal void of grief” (Victoria Chang,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New York Times Magazine\u003c\/em\u003e). Through intensely rhythmic lines marked by visual puns and words that crash together and then fly away as one, Kim mixes traditional folklore and mythology with contemporary psychodramatic realities as she taps into a cremation ceremony, the legacies of Rimbaud and Yi Sang, a film by Agnès Varda, Francis Bacon’s portrait of Pope Innocent X, cyclones, a princess trapped in a hospital, and more. 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Much of his work is highly unorthodox: it challenges the print medium and language itself, and consequently \u003cem\u003eAlice Iris Red Horse\u003c\/em\u003e is as much a book on translation as it is a book in translation. Since the late ’60s, Gozo has collaborated with visual artists and free-jazz musicians. In the 1980s he began creating art objects engraved on copper plates and later produced photographs and video works. Alice Iris Red Horse contains translations of Gozo’s major poems, representing his entire career. Also included are illuminating interviews, reproductions of Gozo’s artworks, and photographs of his performances.Translated by Jeffrey Angles, Richard Arno, Forrest Gander, Derek Gromadzki, Sawako Nakayasu, Sayuri Okamoto, Hiroaki Sato, Eric Selland, Auston Stewart, Kyoko Yoshida, and Jordan A. Y. Smith. Introduction and notes by Derek Gromadzki. 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Though influenced by Western artists and writers—the expressionist dance of Mary Wigman, the writings of Artaud, de Sade, Bataille, and Genet, and the drawings and paintings of Goya, Picasso, Toyen, Beardsley, and others–he was dedicated to the particular experience of the marginalized, Japanese suffering body after World War II.\u003c\/p\u003e\n\u003cp\u003eIn the mid-1970s, Hijikata became concerned with developing notation for his Butoh, and some of these Butoh-fu notations remain, largely in the form of notebooks transcribed by his disciples. \u003cem\u003eCostume en Face\u003c\/em\u003e is the first publication of one of Hijikata’s notebook notations in either English or Japanese. In it we can see, for the first time, the profound interconnectedness of language and body in Hijikata’s process of composition.\u003c\/p\u003e\n\u003cp\u003eTatsumi Hijikata was born in Japan in 1928. 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Using artifacts from Choi's father, a professional photographer during the Korean and Vietnam wars, she combines memoir, image, and opera to explore her paternal relationship and heritage. 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Here, photographs, news footage, and cultural artifacts comingle with a poetry of grief that is both personal and collective. Inspired by W. G. 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Presenting the work of the influential Korean modernist master, this carefully curated selection assembles poems, essays, and stories that ricochet off convention in a visionary and daring response to personal and national trauma, reminding us that to write from the avant-garde is a form of civil disobedience.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47257748439370,"sku":"","price":27.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/71m-CyBlCfL._AC_UF1000_1000_QL80.jpg?v=1699611875"},{"product_id":"on-haiku","title":"On Haiku","description":"\u003cp\u003eHiroaki Sato\u003c\/p\u003e\n\u003csection class=\"my-8 prose lg:prose-xl max-w-none\"\u003e\n\u003cp\u003eIn \u003cem\u003eOn Haiku\u003c\/em\u003e, Hiroaki Sato explores the many styles and genres of haiku on both sides of the Pacific, from the classical haiku of Basho, Issa, and Zen monks, to modern haiku about swimsuits and atomic bombs, and to the haiku of famous American writers such as J. 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In \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePee Poems\u003c\/em\u003e vocabulary fights itself, while impossible opposites are lovingly conjoined.\u003c\/p\u003e\n\u003cp\u003eJoshua Edwards and Lynn Xu, poets both and friends of the author, translate Yang with brave tenderness, revealing a thinker whose observations are as simple and as rich as the languages we speak.\u003c\/p\u003e\n\u003cp\u003e'\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThese poems eat themselves. There’s nothing for me to say. Nonetheless I send them to everyone I know. They're all shaking their heads saying this is so good. These poems are so good I can't point, I can only send them out. They are out there. 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A uniquely wonderful anthology.\"--Kimiko Hahn, poet and author of \u003ci\u003eForeign Bodies\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\"'You must put into words the light in which you see something before that light vanishes.' Such was the attitude out of which, phrase by phrase, Bashō's poems were created. Before the light emitted by each phrase of each poem in Japanese disappears, Fitzsimons carries it across into English. Bashō's \u003ci\u003eComplete Haiku\u003c\/i\u003e is an extraordinary achievement.\"--Takahashi Mutsuo, poet and author of \u003ci\u003eTwelve Views from the Distance\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\"A breath of fresh air in the middle of a chaotic world. Fitzsimons has done a beautiful job showing the uniqueness, drama, and playfulness of Bashō's originals.\"--Jeffrey Angles, poet and translator of \u003ci\u003eKilling Kanoko: Selected Poetry of Hiromi Itō \u003c\/i\u003eand \u003ci\u003e Forest of Eyes: Selected Poems of Tada Chimako\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\"This complete set of Bashō's haiku, brilliantly translated and annotated by Andrew Fitzsimons, makes the poet's work in the context of his life understandable as it never has been before in English. This book marks a moment of huge significance in world poetry.\"--Bernard O'Donoghue, University of Oxford\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47669247148362,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9780520385580.jpg?v=1708460831"},{"product_id":"laat-alle-bloesems-in-lachen-uitbarsten-de-mooiste-haikus-matsuo-basho","title":"Laat alle bloesems in lachen uitbarsten","description":"\u003cheader class=\"entry-header\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-size: 1rem;\"\u003eMatsuo Basho\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBasho is een van de sleutelfiguren in de geschiedenis van de haiku – de vermaarde Japanse dichtvorm. De haiku is een vingerhoed vol emotie, waarin de natuur een centrale plaats inneemt. 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