{"title":"British","description":"","products":[{"product_id":"orchard","title":"Orchard","description":"\u003cp\u003eJ.H. Prynne\u003c\/p\u003e\n\u003cp\u003e32 pages. Twenty-five poems, titled after various edible fruits. Litho printed text, with risographed wrappers printed by \u003ca href=\"https:\/\/earthbound.press\/\"\u003eEarthbound Press\u003c\/a\u003e, depicting The Magic Apple Tree (c. 1830), by Samuel Palmer, by permission of the Fitzwilliam Museum, Cambridge. Designed and typeset at Face Press, and published by Equipage, December 2020. The publisher's stock having been exhausted, remaining copies are offered for sale here. Edition of 400 copies.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43676391997654,"sku":"","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/20210730150425471_0001.jpg?v=1667403900"},{"product_id":"to-account-for","title":"To Account For","description":"\u003cp\u003eIan Patterson\u003c\/p\u003e\n\u003cp\u003ePublished by Face Press in an edition of just 250 copies. Ten poems, risograph printed. Title page in black and aqua blue inks and colophon in metallic gold. Covers individually splash painted in sumi ink and bright blue calligraphy ink, with additional gold ink to the outside. Stitched with brass wire. Collated, bound, and trimmed by hand. Patterson is a Life Fellow of Queens' College Cambridge. The Plenty of Nothing, his elegy for Jenny Diski, won the Forward Prize for Best Poem in 2017.\u003cbr\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43676392423638,"sku":"","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/Screenshot2022-11-02at16.46.59.png?v=1667404073"},{"product_id":"comic-timing-1","title":"Comic Timing","description":"\u003cp\u003eHolly Pester\u003c\/p\u003e\n\u003cdiv data-expanded=\"false\" class=\"a-expander-content a-expander-partial-collapse-content\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eComic Timing\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, Holly Pester's extraordinary debut collection of poems, chronicles the experience of living and working as a radical and resistant act. These poems shunt a reader between the political and personal via unique, fragmentary and illusory turns of phrase. Holly tackles marginal bodies, landlords, bog butter, desire, domestic and civic spaces in an unique and illusory voice. She chronicles the prevailing mood of our times, mining radical and anarchic histories to offer a collection of political resistance with both absurdity and seriousness. \u003cbr\u003e\u003cbr\u003eThese poems interrogate and poke fun at the expectations of people in a commodified culture with a wry humour. Combining a beautifully performed naivety with a profound intellect, this collection is a hugely original approach to a number of pressing issues. Worker's rights, feminisms, reproductive rights and marginalised bodies and their positions are all thought through in this startling and innovative voice.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43714986836182,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/41DmqzZ_8SL._SX329_BO1_204_203_200.jpg?v=1666011191"},{"product_id":"scherzos-benjyosos","title":"Scherzos Benjyosos","description":"\u003cp\u003eKeston Sutherland\u003c\/p\u003e\n\u003cp\u003ePublished in Amsterdam by Phil Baber's The Last Books, \u003cem\u003eScherzos Benjyosos\u003c\/em\u003e is a set of four poems, scherzos in prosimetrical blocks, a comical, wild, and delirious sifting through the carnage of the financial crash, the dreamscapes of capitalist infancy, histories of sadism and persecution, the fetish bars of canonical literature, and the psychoanalysis of grass. The book also includes 'Sinking Feeling', Sutherland’s long poem from 2017, described by J.H. Prynne as “breathtakingly lovely, and desperate, racked with desire to become truthful love.” \u003c\/p\u003e\n\u003cp\u003eIn early 2022, we were fortunate to be joined at Perdu by Sutherland, \u003ca href=\"https:\/\/perdu.nl\/en\/archief\/phil-baber-host\/r\/junctions-of-an-inflatable-life\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ewho gave a memorable reading from the book.\u003c\/a\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43751256654038,"sku":"","price":22.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/9789491780325.jpg?v=1666868776"},{"product_id":"go-to-reception-and-ask-for-sara-in-red-felt-tip","title":"go to reception and ask for sara in red felt tip","description":"\u003cp\u003eHolly Pester\u003c\/p\u003e\n\u003cp\u003eUsing anecdote as a method to generate a collection of poetry, critical fictions and literary fragments this book performs a response to the history and function of the Women’s Art Library. The stories segue through the archive of personal correspondence, artists’ slides and administrative papers, as well as a poster archive documenting exhibitions, parties and activism in 1980s Feminist art movements. Anecdotal, gossiped and mistreated histories form aberrant narratives as a result of an inverted mode of archival research.\u003c\/p\u003e\n\u003cp\u003eThese stories, poems and fragments were composed through engagement with the Women’s Art Library in 2014, with the support of a bursary ‘Living with Make: Art in the Archive’ that was co-funded by WAL and Feminist Review, in association with Whitechapel Gallery.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43751261733078,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/Pester-72-e1584634187479.jpg?v=1666868871"},{"product_id":"who-is-mary-sue","title":"Who is Mary Sue?","description":"\u003cp\u003eSophie Collins\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn the language of fan fiction, a 'Mary Sue' is an idealised and implausibly flawless character: a female archetype that can infuriate audiences for its perceived narcissism. Such is the setting for this brilliant and important debut by Sophie Collins. In a series of verse and prose collages, \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eWho Is Mary Sue?\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e exposes the presumptive politics behind writing and readership: the idea that men \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003einvent\u003c\/span\u003e\u003cspan\u003e while women \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003ereflect\u003c\/span\u003e\u003cspan\u003e; that a man writes of the world outside while a woman will turn to the interior.\u003cbr\u003e\u003cbr\u003ePart poetry and part reportage, at once playful and sincere, these fictive-factive miniatures deploy original writing and extant quotation in a mode of pure invention. In so doing, they lift up and lay down a revealing sequence of masks and mirrors that disturb the reflection of authority. A work of captivation and correction, this is a book that will resonate with anyone concerned with identity, shame, gender, trauma, composition and culture: everyone, in other words, who wishes to live openly and think fearlessly in the modern world. \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eWho Is Mary Sue?\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a work for our times and a question for our age: it is a handbook for all those willing to reimagine prescriptive notions of identity and selfhood.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43751265894614,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/37539463.jpg?v=1666868928"},{"product_id":"small-white-monkeys","title":"small white monkeys","description":"\u003cp\u003eSophie Collins\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003esmall white monkeys\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a fragmented essay, including poems and images, on self-expression, self-help and shame. Beginning with the image of the small white monkeys, the text examines the Collins's relationship with shame through a series of short studies on, amongst other things, cats, hair as a metonym for the self in poetry and fiction, and perceptions of sexual violence. \u003c\/p\u003e\n\u003cp\u003eMade through research into Glasgow Women’s Library’s Archive Collections and Lending Library,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003esmall white monkeys\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eincorporates material from the library’s archives and the work of female creators past and present, including Anna Mendelssohn, Jean Rhys, Selima Hill, Adrian Piper, June Jordan, Denise Riley, Carolee Schneemann, Vahni Capildeo and Veronica Forrest-Thomson.\u003c\/p\u003e\n\u003cp\u003eSophie Collins grew up in North Holland and now lives in Edinburgh. This new second edition features an introduction by Helen Charman. \u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43751328350422,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/swm-cover-print-second-edition_corrected-1-681x1024.jpg?v=1666869752"},{"product_id":"lurex","title":"Lurex","description":"\u003cp\u003eDenise Riley\u003c\/p\u003e\n\u003cdiv data-expanded=\"false\" class=\"a-expander-content a-expander-partial-collapse-content\"\u003e\n\u003cp\u003e\u003cspan\u003eA brilliant outing from one of the finest poets currently working in the English language. This is at once a sharply political and deeply personal book which explores just that intersection.\u003cbr\u003e\u003cbr\u003e‘Wide-ranging, sometimes anguished, her poems are fascinating and often beautiful, and certainly more than usually thought-provoking’ \u003cem\u003eThe \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eGuardian\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43751367409878,"sku":"","price":17.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/60674096.jpg?v=1667315201"},{"product_id":"poems-of-frank-rupture","title":"Poems of Frank Rupture","description":"\u003cp\u003ePeter Manson\u003c\/p\u003e\n\u003cp\u003e“It’s typical of the narrative persona conveyed in much of Peter Manson’s previous work that “The Baffle Stage”, the second of the \u003cem\u003ePoems of Frank Rupture\u003c\/em\u003e, should offer a kind of pre-emptive piss-take of the compositional techniques underpinning the collection’s subsequent and most significant piece, “Sourdough Mutation”, defined as it is by verbal shuffling of the “rack\/lack\/cack” variety (though far more myriad and pleasurable).[...] On the one hand, the formal invention of this poetry occasionally seems powered by a veritable dynamo of masochism; on the other, and not unrelatedly, it’s often hilarious.[...] This is what “Sourdough Mutation” feels like to read: like someone has extracted the hypnagogic voices from your supine head and played them back to you, algorithmically shuffled into pleasing patterns of sound and shape. It’s an act of generous communication to allow a poem to speak a reader like this: to show them that the most primordial aspects of their cognition are shared and understood. It also seems like it could have been an indirectly rejuvenative process for the poetic voice itself. At the close of that creation sequence in “The Baffle Stage”, Manson offers an almost-potty-mouthed reworking of Rimbaud’s “Je est un autre” – “I is this constellated cupid stunt” – which seems to get to the heart of the matter (8). The compositional logic may in essence be a logic of self-punishment – “I am a stupid cunt” – but embraced and played out in language, it yields a childlike, celestial play: a constellation of cupid stunts.”\u003cbr\u003e- Greg Thomas\u003c\/p\u003e\n\u003cp\u003e“The case of Peter Manson provides another handy example of canonical speciousness.[...] If we expect our poets to write out of an experientially defined self, to ‘find their voice’, and take the assault course of form by cranking out the odd villanelle, then Manson can only baffle and disappoint. Expecting him to do these things, however, I would suggest, is no more meaningful than expecting Webern to write ‘Yankee Doodle Dandy’. [... This] poetry is thrillingly of the present moment, and pregnant with possibility for anyone who cares to absorb it. I have seen the future and it (still) works.\"\u003cbr\u003e- David Wheatley\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43751370195158,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/23559706.jpg?v=1667215285"},{"product_id":"stranger-baby","title":"Stranger, Baby","description":"\u003cp\u003eEmily Berry\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"The loss of a mother must be something very strange\", observed Sigmund Freud, a reflection that haunts this intense and powerful new book. \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eStranger, Baby\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is Emily Berry's second collection of poetry. These poems are filled with fantasy and play, estrangement, and edgy humor. Love, anger, tenderness and violence all find expression in poems powered by grief's tidal undertow. This is a book of mourning, recrimination, exhilaration, and \"oceanic feeling\", where familiarity meets strangeness and despair becomes a kind of celebration.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43764339933398,"sku":"","price":18.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/61KlD0blohL.jpg?v=1667393971"},{"product_id":"unexhausted-time","title":"Unexhausted Time","description":"\u003cp\u003eEmily Berry\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"a-text-bold a-text-italic\"\u003eUnexhausted Time\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003einhabits a world of dream and dawn, in which thoughts touch us ‘like soft rain’, and all the elements are brought closer in. \u003c\/span\u003e\u003cspan\u003eFeelings, messages, symbols, visions, Emily Berry’s latest collection takes shape in the half-light between the real and the imagined, where everything is lost and yet ‘nothing goes away’. Here life’s innumerable impressions, moods, seasons and \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003edéjà vu\u003c\/span\u003e\u003cspan\u003es collect and disarrange themselves, while a glowing, companionable ‘I’ travels the mind’s landscapes in hope of refuge and transformation amid these displaced moments in time. Whether one reads \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eUnexhausted Time\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e as a long poem to step into or a series of titled and untitled fragments to pick up and cherish, the work is healing and inspiring, always asking how we might harness the power of naming without losing life’s ‘magic unknownness’. By offering these intangible encounters, Emily Berry more truly presents ‘what being alive is’.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43764340523222,"sku":"","price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/Unexhausted-Time.jpg?v=1667393977"},{"product_id":"selected-poems","title":"Selected Poems","description":"\u003cp\u003eLinton Kwesi Johnson\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePioneering poet Linton Kwesi Johnson has revolutionized English literature with his electrifying fusion of oral verse, Jamaican speech, radical politics and reggae rhythms. This new edition of a vital selection of poems covers over four decades and includes classic early poems such as 'Inglan is a Bitch', 'New Craas Massakah' and 'Sonny's Lettah', as well as compelling recent work.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43794240798934,"sku":"","price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/81BZBwCpppL.jpg?v=1668172720"},{"product_id":"emblem","title":"Emblem","description":"\u003cp\u003eLucy Mercer\u003c\/p\u003e\n\u003cp\u003eIn ghostly conversation with the sixteenth-century emblematist Andrea Alciato – a witness to a lonely time – the poems of this debut collection are carried forward by a non-linear dream logic of metaphor and similitude, speaking pictures who remain silent and a focus on an adjacent imaginal world. As well as reusing images from Alciato’s emblem book, the poems fixate on alternating relations between text and image that blur into relations between mind and body, child and mother, red and green, past and present, public and private, the living and the dead.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43835579629782,"sku":"","price":18.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/9781913513221.png?v=1669303057"},{"product_id":"ban-en-banlieu","title":"Ban en Banlieue","description":"\u003cp\u003eBhanu Kapil\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003eBan en Banlieue\u003c\/em\u003e follows a brown (black) girl as she walks home from school in the first moments of a riot. An April night in London, in 1979, is the axis of this startling work of overlapping arcs and varying approaches. By the end of the night, Ban moves into an incarnate and untethered presence, becoming all matter— soot, meat, diesel oil and force—as she loops the city with the energy of global weather. Derived from performances in India, England and throughout the U.S., \u003cem\u003eBan en Banlieue\u003c\/em\u003e is written at the limit of somatic and civic aims.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43856153084118,"sku":"","price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/ban-en-banlieue.jpg?v=1670272289"},{"product_id":"postcolonial-love-poem","title":"Postcolonial Love Poem","description":"\u003cp\u003eNatalie Diaz\u003c\/p\u003e\n\u003cp\u003eWinner of the 2021 Pulitzer Prize in poetry, \u003cem\u003ePostcolonial Love Poem\u003c\/em\u003e is a thunderous river of a book, an anthem of desire against erasure. It demands that every body carried in its pages - bodies of language, land, suffering brothers, enemies and lovers - be touched and held. Here, the bodies of indigenous, Latinx, black and brown women are simultaneously the body politic and the body ecstatic, and portrayed with a glowing intimacy: the alphabet of a hand in the dark, the hips' silvered percussion, a thigh's red-gold geometry, the emerald tigers that leap in a throat. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dune fields and forests where pleasure and love are both grief and joy, violence and sensuality.\u003c\/p\u003e\n\u003cp\u003eNatalie Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves. Her poetry questions what kind of future we might create, built from the choices we make now - how we might learn our own cures and 'go where there is love'.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46842315014474,"sku":"","price":17.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Postcolonial-Love-Poem-1.jpg?v=1687201973"},{"product_id":"poems-of-sappho","title":"Poems of Sappho","description":"\u003cp\u003eVerity Spott\u003c\/p\u003e\n\u003cp\u003e28 pages. 25+ variant title pages. Risographed cover label in two parts, front and back, individually cut to size and torn in half. Cover art by Jessie Jermyn. Unique scattering of riso gold bugs, etc, across the pages of each book. Edition of 250 copies.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46844790669642,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Screenshot2023-11-04at13.59.55.png?v=1699102956"},{"product_id":"hopelessness","title":"Hopelessness","description":"\u003cp\u003e\u003cem\u003e\u003c\/em\u003eVerity Spott\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"The brilliant Verity Spott has a new book out, called \u003cem\u003eHopelessness\u003c\/em\u003e and published by the 87 Press. The work defies categorisation: Verity is a poet, and this book is certainly poetry, but large parts are in prose form and towards the end it even takes on the structure of an absurdist play. There seems to be a loose narrative, and even recurring character voices, so I’m tempted to call it a short experimental novel, in the vein of Kenneth Patchen’s \u003cem\u003eThe Journal Of Albion Moonlight\u003c\/em\u003e (a personal favourite). Ultimately though I’d just call it a book; one full of words that are profound, moving, silly, sad, challenging and beautiful in equal measure.\u003c\/p\u003e\n\u003cp\u003eEven though it’s still a boldly experimental piece, in some ways \u003cem\u003eHopelessness\u003c\/em\u003e feels like the most accessible thing Verity’s done. Without wanting to sound condescending, it’s also the most mature. You don’t get much more universal than death, love and loss, and these seem to be the main themes explored here. Another is language itself, the way it defines and limits our experience, and the way that we’re constantly at the mercy of words and phrases as they’re deployed by the authorities, the media, and eventually our own thought processes. Dissenting voices continually talk over one another throughout \u003cem\u003eHopelessness\u003c\/em\u003e, often sampled from outside sources, or parodies thereof: Sappho, MR James, traditional hymns and folk songs, Hollywood movies, talk radio, tabloid newspapers, dreams and demagogues.\u003c\/p\u003e\n\u003cp\u003eThrough it all there’s a painful lesson about how loss can make us bitter and hard, and how by refusing to move forward we become empty caricatures mouthing meaningless clichés to wound and hurt. But grief and loss can also teach us about love, if we let them, and there is so much grief and love in this book. Verity continually rearranges reality (that is, language) as if searching desperately for a way out, but in the end, as always, there is just life, love, and death. 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Eliot Prize and the inaugural John Pollard International Poetry Prize. \u003ci\u003eWas It for This\u003c\/i\u003e continues that book’s project, offering a trenchant exploration of the ways in which we attempt to map our lives in space and time.\u003c\/p\u003e\n\u003cp\u003eBut there is also the wider, collective experience to contend with, the upheaval of historic event and present disaster. ‘Tenants’, the first poem, is an elegy for Grenfell, written from the uneasy perspective of a new mother living a few streets away. Elsewhere, from the terraces and precincts of seventies and eighties London to the late-at-night decks of American suburbs, intimately inhabited geographies provide reference points and sites for revisiting.\u003c\/p\u003e\n\u003cp\u003eNothing is too small or unlovely to be transfixed by the poet’s attention, from the thin concrete pillars of a flyover to an elderly peacock’s broken train. 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Following in the footsteps of Dante Gabriel Rossetti, who translated Cavalcanti for the nineteenth century, and Ezra Pound, who translated him for the twentieth, Peter Hughes invites us to consider Cavalcanti’s lustrous Tuscan songs afresh.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47403317264714,"sku":"","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/81Q4jsrkbjL._SL1500.jpg?v=1702130118"},{"product_id":"further-lines-of-communication","title":"further lines of communication.","description":"\u003cp\u003eAnna Mendelssohn\u003c\/p\u003e\n\u003cp\u003eAn avant-garde author, artist, and activist, Anna Mendelssohn was born in Stockport in Northern England in 1948. From the 1980s she studied and resided in Cambridge, publishing 15 poetry collections and contributing to landmark contemporary anthologies, among them, Denise Riley’s \u003cem\u003ePoets on Writing \u003c\/em\u003e(1992) and Iain Sinclair’s \u003cem\u003eConductors of Chaos \u003c\/em\u003e(1996).\u003c\/p\u003e\n\u003cp\u003eIn 1972, Mendelssohn was a defendant at the Stoke Newington Eight criminal trial of 1972, then the lengthiest trial in British legal history. As a student radical at the University of Essex, Mendelssohn appeared in Jean-Luc Godard’s polemical \u003cem\u003eBritish Sounds \u003c\/em\u003e(1969) before joining The Angry Brigade, Britain’s contribution to a late-1960s transnational wave of urban guerrilla groups. Still lacking the comprehensive histories devoted to their counterparts – America’s Weatherman, Germany’s Red Army Faction – The Angry Brigade shared their anti-imperialism and less lethal methods, prioritising Irish reunification, social equality, and autonomism.\u003c\/p\u003e\n\u003cp\u003ePleading innocent, Mendelssohn was sentenced to ten years for conspiracy to cause explosions. A literacy tutor in prison, she was paroled in 1976. In the 1980s, she changed her name to Grace Lake, had three children, and began an English degree at the University of Cambridge. While she never completed her degree, she became a well-regarded if peripheral member of a movement often labelled the British Poetry Revival. A consummate artist and writer, when Mendelssohn died in 2009, her home – an off-grid garden shed – was filled with her paintings, letters, books, thousands of sheets of looseleaf drawings and writings, and 800 notebooks.\u003c\/p\u003e\n\u003cp\u003eIn 2010, Mendelssohn’s children generously donated her vast archive to Special Collections at the University of Sussex. In 2020, \u003cem\u003eI’m Working Here: The Collected Poems of Anna Mendelssohn \u003c\/em\u003ewas released by Shearsman Books; in from October 2023 to January 2024, an exhibition of her work, \u003cem\u003eAnna Mendelssohn: Speak, Poetess\u003c\/em\u003e, was held at Whitechapel Gallery. This pamphlet was edited and designed for sale at the Mendelssohn exhibition at Whitechapel. It is an introduction to her poetry that is also a fundraiser for Koestler Arts.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47456561267018,"sku":"","price":12.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/B3BC7047-CD9B-4D7A-8DB8-F5302735E072.jpg?v=1706077103"},{"product_id":"tales-from-ovid","title":"Tales from Ovid","description":"\u003cp\u003eTed Hughes\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen it was first published in 1997, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eTales from Ovid\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003ewas immediately recognized as a classic in its own right, as the best rendering of Ovid in generations, and as a major book in Ted Hughes's oeuvre. The\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e \u003cem\u003eMetamorphoses\u003c\/em\u003e of Ovid\u003c\/span\u003e\u003cspan\u003e stands with the works of Homer, Virgil, Dante, and Milton as a classic of world poetry; Hughes translated twenty-four of its stories with great power and directness. The result is the liveliest twentieth-century version of the classic, at once a delight for the Latinist and an appealing introduction to Ovid for the general reader.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47512402559306,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/61390EVWQmL._SL1500.jpg?v=1704807542"},{"product_id":"the-hawk-in-the-rain","title":"The Hawk in the Rain","description":"\u003cp\u003eTed Hughes\u003c\/p\u003e\n\u003cp\u003ePublished in 1957, \u003cem\u003eThe Hawk in the Rai\u003c\/em\u003en was Ted Hughes's first collection of poems. When Robin Skelton wrote, 'All looking for the emergence of a major poet must buy it', he was right to see in it the promise of what many now regard as the most important body of work by any poet of the twentieth century.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47512406425930,"sku":"","price":18.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/61pMfmzseKL._SL1500.jpg?v=1704807689"},{"product_id":"the-poems-of-basil-bunting","title":"The Poems of Basil Bunting","description":"\u003cp\u003eBasil Bunting\u003c\/p\u003e\n\u003cdiv data-expanded=\"false\" class=\"a-expander-content a-expander-partial-collapse-content\"\u003e\n\u003cspan class=\"a-text-bold\"\u003eAn important work of literary scholarship which highlights, for the first time, the achievement of a neglected modernist master.\u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003cbr\u003eBasil Bunting's work was published haphazardly throughout most of his life, and in many cases he did not oversee publication. This is the first critical edition of the complete poems, and offers an accurate text with variants from all printed sources. Don Share annotates Bunting's often complex and allusive verse, with much illuminating quotation from his prose writings, interviews and correspondence. He also examines Bunting's use of sources (including Persian literature and classical mythology), and explores the Northumbrian roots of Bunting's poetic vocabulary and use of dialect.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47516870771018,"sku":"","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Poems-of-Basil-Bunting-2.jpg?v=1727000704"},{"product_id":"intellectual-property","title":"Intellectual Property","description":"\u003cp class=\"product-title-block mt-4 break-words font-heading text-lg\" data-mce-fragment=\"1\"\u003eAea Varfis-van Warmelo\u003c\/p\u003e\n\u003cp class=\"product-title-block mt-4 break-words font-heading text-lg\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eIntellectual Property\u003c\/em\u003e is a series of long-form poems that propose the law of intellectual property as poetry’s dark twin. Moving through the Leibniz-Newton Calculus Controversy, the Son of Sam Law and gene patenting, the poems position the brutal logic of the law against the inner workings of a teenage boy and young pregnant woman.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47597374341450,"sku":"","price":17.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/418845745_18297906943181537_6886942413517781992_n.jpg?v=1726674440"},{"product_id":"love-poems-3","title":"Love Poems \u003c3","description":"\u003cp\u003eSam Weselowski\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e‘Our enemies are packed so close \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eto our feelings that they don’t look\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elike feelings.’\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47673603260746,"sku":"","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Screenshot-2021-11-23-at-20.21.14.png?v=1708521440"},{"product_id":"poems-2016-2024","title":"Poems 2016-2024","description":"\u003cp\u003eJ.H. Prynne\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAs John Clegg has recently put it, 'J.H. Prynne’s work is difficult, but (unlike the work of many other difficult poets) it is not at all cryptic. There’s no sense of meaning being withheld or obscured; nothing cries out for elucidation. It doesn’t mean, in that sense, at all, and if instead of getting annoyed by it you allow yourself to be swept away, it is buffeting and exhilarating, not at all like any other poetry in the world.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eCovering the most productive period of J.H. Prynne's career, this new volume collects all of the recent poetry of Britain's leading late Modernist poet.\u003c\/span\u003e\u003cspan\u003e Prynne's austere yet playful poetry challenges our sense of the world, not by any direct address to the reader but by showing everything in a different light, enacting slips and changes of meaning through shifting language. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen his \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003ePoems\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e was first published in 1999, it was immediately acclaimed as a landmark in modern poetry. Four further collections were added to the second edition of \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003ePoems\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e in 2005, followed by a further seven along with a group of uncollected poems to the third edition of \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003ePoems\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (2015).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe decade since\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePoems\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e(2015) has been the most productive period of Prynne's life, with over thirty limited editions published between 2017 and 2024. To have added these to a fourth edition of \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003ePoems\u003c\/span\u003e\u003cspan\u003e would have more than doubled the size of that volume. \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003ePoems 2016-2024\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is therefore a separate, supplementary edition of his later work, including, except for minor corrections, the mostly unchanged contents of 36 texts written since \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003ePoems\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (2015), from \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eEach to Each\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (2017) to \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eAlembic Forest\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (2024), as well as the corrected 2023 text of \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eAt Raucous Purposeful\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (2022). The 26 \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eImpromptus\u003c\/span\u003e\u003cspan\u003e comprising \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eMemory Working\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eoriginally published by Face Press in three separate editions in 2020 and 2021, appear here as a complete sequence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRead a review of the book by Luke Roberts in the New Left Review's Sidecar \u003ca href=\"https:\/\/newleftreview.org\/sidecar\/posts\/raspberries\" rel=\"noopener\" data-mce-href=\"https:\/\/newleftreview.org\/sidecar\/posts\/raspberries\" target=\"_blank\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47691786879306,"sku":"","price":27.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/81eKICOTSwL._AC_UF894_1000_QL80.jpg?v=1718787888"},{"product_id":"apparitions-nines","title":"apparitions (nines)","description":"\u003cp\u003eNat Raha\u003c\/p\u003e\n\u003cdiv class=\"text\"\u003eAmidst the violence of capitalism and state and imperial power, there is Nat Raha's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eapparitions (nines)\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ein its \"charred golden minidress,\" ushering us into a space of grief and resistance, the embodiment and intimacy of queer, trans, and diasporic Black and brown people. Written as a series of \"niners,\" a poetic form consisting of nine nine-syllable lines, \u003cem\u003eapparitions (nines)\u003c\/em\u003e is at once a brash and subversive rejoinder to the Anglophone sonnet, as well as an ode to beauty, collectivity, and tenderness which emerges from—and far surpasses—constraint.\u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e'Describing and defying the murder of experimental gathering requires and allows syntactic variety, paratactic flare. What you can hear in Nat's nonet9 is dressed to kill, extravagant, and spare. For all we've ever wanted, all we've ever needed is a weapon to share. In \u003cem\u003eapparations\u003c\/em\u003e \/ this is unconcealed, \u0026amp; open, \u0026amp;\u0026amp; laid bare. Seeing that we haven't just been seeing things is rare.' – Fred Moten\u003c\/p\u003e\n\u003cp\u003e'Like a sculptor releasing the figure from the stone, Nat Raha breaks and chips away at language to liberate and unleash the hidden, layered meanings that nest within the anguish that is english. Through the inherent restraint of the niner,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eapparitions\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eboth complicates and clarifies the contesting and lasting forces of empire, allowing us to \"re\/assemble[d] our\/affections and solidarities\/our cracked, efflorescent hands.' – m. nourbeSe philip\u003c\/p\u003e\n\u003cp\u003e'Get through the day. There's no night. Repeat. An \"excruciate living\" manifests itself in lines that fold on the bias of a diagonal mark, dots that conjoin to form a briefly stable square before disintegrating again. In\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eapparitions\u003c\/i\u003e, syntax is both magnified and contracted, a profoundly moving somatic register. A duplicate semi- colon makes the line shake. This is a book that imagines (and refuses to imagine) survival, in spaces that serrate recollection, that don't require their occupants to be embodied subjects. Nat Raha is a brilliant writer who upholds and generates incompleteness as both ethics and terrain. Book as scream. Book as frequency. Here, in the book, we might \"remember what we live.\" Not how.' – Bhanu Kapil\u003c\/p\u003e\n\u003cp\u003eRead an interview with Raha up on the Nightboat \u003ca href=\"https:\/\/nightboat.org\/an-interview-with-nat-raha-author-of-apparitions-nines\/\" target=\"_blank\" rel=\"noopener\"\u003ehere\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47836393144650,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9781643622392_FC-copy-533x800.jpg?v=1723639226"},{"product_id":"meditations","title":"Meditations","description":"\u003cp\u003eKeston Sutherland\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA manual of meditations on grief blocked by trauma, pliers, goats, remedies, meaning, conduits, suicide, eggs, times, tutting, God, lifts, treasury tags, wrecking yards, Douglas Barrowman, involuntary spasms, front desks, manganese deficiency, weevil shit, Mr Sheen, coal potential, the bison, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Final Cut\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, tone of voice, trillions of cicadas, Elisabeth Koolaart-Hoofman, bogus antler cannibalism, the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ePreces Gertrudianae\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, parodies of communication, “Cary Grant’s Wedding,” the corruption of youth, a tripod or cable, Culverwell on the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eVacuola\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, geese, Hemans’s line on Mary Tighe, annihilation, the proletariat, plastic bags, La Compiuta Donzella di Firenze, poetry, rooms, beheadings, S106 obligations, and planks. Containing single, double, triple, and sextuple sestinas, in the old mode of \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eretrogradatio cruciata\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and other canzoni, crushed to prose.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47855360147786,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Meditations_cover.jpg?v=1743632782"},{"product_id":"loading-terminal-1","title":"Loading Terminal","description":"\u003cp\u003eDanny Hayward\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(34, 34, 34);\"\u003eA new long poem for half a voice on the subject of despised knowledge and political invisibility, published alongside a selection of shorter poems and essays dealing variously with the merging and commingling of smartphones and human bodies, the role of elegy in the mid-2000s, the social basis of fascism in the 2010s, social class, and the symbolic dysmorphia of the British high street. All of the work collected here circles around two central relationships: between politics and knowledge, and between poetic language and speech. \u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47897047925066,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Screenshot2024-06-05at14.42.33.png?v=1717591371"},{"product_id":"the-north-road-songbook","title":"The North Road Songbook","description":"\u003cp\u003eVerity Spott\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe North Road Songbook\u003c\/em\u003e collects together eight sequences of poems, most of which were composed between 2019 and 2024. The title sequence is a set of lyrics written around North Road in Brighton, originally a mediaeval field boundary, now a chaotic thoroughfare filled with ghosts, sirens and songs.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eVerity featured in the first issue of Perdu's magazine, Mop Mop.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":48682654007626,"sku":"","price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Screenshot2024-06-16at13.52.39.png?v=1718538769"},{"product_id":"parkland","title":"Parkland","description":"\u003cp\u003eJ.H. Prynne\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e'How could they know her realm for real is in shattered ruins, the pain of destruction and misery enslaved, and yet the bird messengers avouch disaster, the open gate like the mouth of terror, must it be as broken in hunger, her city in hold of rebels, populace at verge of frank starvation.'\u003c\/em\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":49229011976522,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/prynne_87e0a074-e295-443b-b2a4-0f31ba089123.jpg?v=1726327199"},{"product_id":"not-ice-novice","title":"Not Ice Novice","description":"\u003cp\u003eJ.H. Prynne\u003c\/p\u003e\n\u003cp\u003e16pp. Risograph printed by \u003ca href=\"https:\/\/earthbound.press\/shop\"\u003eEarthbound Press\u003c\/a\u003e on acid-free paper. Forty-four rhyming quatrains. Pictorial title page. Edition of 150 copies.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":49229208682826,"sku":"","price":17.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/20230108153033160_0001.jpg?v=1726327477"}],"url":"https:\/\/boekhandelperdu.nl\/collections\/british.oembed","provider":"Boekhandel Perdu","version":"1.0","type":"link"}