{"title":"Latin American Feminist Poetry","description":"","products":[{"product_id":"spit-temple","title":"Spit Temple","description":"\u003cp\u003eCecilia Vicuña\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe first overview of the work of this seminal multi-disciplinary artist, \u003cem\u003eSPIT TEMPLE\u003c\/em\u003e collects texts and transcriptions of Cecilia Vicuña’s uncategorizable improvised performances, which combine singing, movement, chants, and stories. Also included are a critical introduction by Rosa Alcalá, a poetic memoir by Vicuña addressing her life in performance, images from Vicuña’s extensive personal archive, and response pieces by Maria Damon, Linda Duke, Nada Gordon, Jena Osman, Kenneth Sherwood, Juliana Spahr, Dennis Tedlock, Edwin Torres, and Rodrigo Toscano. A reading from the book is available online \u003ca href=\"https:\/\/www.commonpodcast.com\/home\/2018\/11\/20\/episode-61-rosa-alcal-translation-series-ep-1\"\u003ehere\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCecilia Vicuña is a Chilean poet, artist, and filmmaker. The author of twenty poetry books published in Europe, Latin America and the U.S., she performs and exhibits her work widely. A precursor of conceptual, impermanent art and the improvisatory oral performance, her work deals with the interactions between language, earth and textiles.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46901969191242,"sku":"","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/6d123438be80ef6b680811f04d4e01a4.jpg?v=1689769573"},{"product_id":"materia-prima","title":"Materia Prima","description":"\u003cp data-mce-fragment=\"1\"\u003eAmanda Berenguer (ed. Kristin Dykstra and Kent Johnson)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is the first English-language collection of Amanda Berenguer's poetry. A key contributor to Uruguay's famed literary Generación del 45, Berenguer (1921-2010) stands among the most important post-World War II poets of Latin America, along with her now-legendary compatriot Marosa di Giorgio. Berenguer's poetry, stylistically and conceptually varied, ranges from classic, measured lyric to Dickinson-inspired gnomic utterance; from metaphysical and erotic rhetorical effusion to condensed and radically concrete experiment; from seemingly apolitical languor to pointed ideological dissent.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe poems included in this edition span a large portion of Berenguer's career and are taken from seven of her books—\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMateria Prima\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1966), \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eComposición de Lugar\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1976), \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eIdentidad de ciertas frutas\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1983), \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLa dama de Elche\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1985), \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLa botella verde\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1995), \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLa cuidadora del fuego\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2010)—and from a book of selected poems from 1968-1984, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eCon el tigre entre las cosas\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2002). A special section of this edition is dedicated to her visual poems, including pieces that appeared in magazines in the early 1970s.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46902021980490,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/materiaprimaGIANTscan_331.jpg?v=1698254180"},{"product_id":"i-remember-nightfall","title":"I Remember Nightfall","description":"\u003cp\u003eMarosa di Giorgio\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTranslated from the Spanish by Jeannine Pitas in a bilingual edition, this new translation of Marosa di Giorgio, one of Uruguay's most famous poets, includes four book-length poems from the middle of her career: \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe History of Violets\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1965); \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMagnolia\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1968); \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe War of the Orchards\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1971); and \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Native Garden is in Flames\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1975). T\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ehese serial prose poems explore memory, familial relationships, erotic desire, and war. Marosa di Giorgio uses the recurring setting of a garden as a stage for the ongoing encounter of nature and the supernatural.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46902042755402,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Nightfall-150dpi-704x1024.jpg?v=1699526827"},{"product_id":"extracting-the-stone-of","title":"Extracting the Stone of Madness","description":"\u003cp\u003eAlejandra Pizarnik, translated by Yvette Siegert\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRevered by Octavio Paz and Roberto Bolaño, Alejandra Pizarnik is still a hidden treasure in the U.S. \u003cem\u003eExtracting the Stone of Madness\u003c\/em\u003e comprises all of her middle to late work, as well as a selection of posthumously published verse. Obsessed with themes of solitude, childhood, madness, and death, Pizarnik explored the shifting valences of the self and the border between speech and silence. In her own words, she was drawn to “the suffering of Baudelaire, the suicide of Nerval, the premature silence of Rimbaud, the mysterious and fleeting presence of Lautréamont,” and to the “unparalleled intensity” of Artaud’s “physical and moral suffering.”\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47309547798858,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/61oy9L12ImL._SL1200.jpg?v=1699533823"},{"product_id":"saborami","title":"Saborami","description":"\u003cp\u003eCecilia Vicuña\u003c\/p\u003e\n\u003cp\u003eCecilia Vicuña created \u003cem\u003eSaborami\u003c\/em\u003e in the aftermath of the September 1973 military coup in Chile. Combining poetry, journal entries, documentation of artworks including assemblages and paintings, the book was published in Devon, England, in an edition of 250 hand-made copies by the artist-led Beau Geste Press. It was one of the first artistic responses to the violence of the fascist junta.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCoinciding with the fiftieth anniversary of the book's original publication and of the coup in Chile, \u003cem\u003eSaborami: Expanded facsimile edition\u003c\/em\u003e by Cecilin Vicuña, is edited by Amy Tobin and Luke Roberts, and contains rarely seen archival material from Vicuña's time in London, and her role in Artists for Democracy in Chile and other solidarity campaigns.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47558644302154,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/CV_Cover_temp-835x1024.jpg?v=1707140244"},{"product_id":"word-weapons","title":"Word Weapons","description":"\u003cp\u003eCecilia Vicuña\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis book brings together the \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ePalabrarmas\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e series by the Chilean-born artist, poet and activist Cecilia Vicuña (born 1948). Images of these works―each a powerful juxtaposition of color, poetry and politics―appear alongside new essays and historical references chosen with the artist. \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ePalabrarmas\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e, a neologism that translates to \"word weapons\" or \"word arms,\" imagine new ways of seeing language. Taking the form of collages, silkscreens, drawings, poems, fabric banners, cutouts, mixed-media installations and street actions, Vicuña’s \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ePalabarmas\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e bring together her work in poetry, activism, and visual art. Each one unpacks and deconstructs single words to reveal other words hiding within them, allowing new meanings to emerge. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe artist began making these visual anagrams while in exile in London and Bogotá after the Pinochet-led coup of 1973 in Chile and has always seen them as a form of liberation―as a way to \"open up minds by opening up words,\" as she puts it. The \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ePalabarmas\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e have taken on new relevance in today’s political climate and appeared on the streets during Chile’s 2019 revolution as protest signs. This book presents a range of \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ePalabrarmas\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e in color for the first time, with new essays by Mónica de la Torre, Carla Macchiavello, Cecilia Vicuña and Jeanne Gerrity, and reprinted texts by René Daumal, Robert Randall and Simón Rodríguez.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47573958033738,"sku":"","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/512lNgtDXwL._AC_UF1000_1000_QL80.jpg?v=1707766306"},{"product_id":"deer-book-libre-venado","title":"Deer Book \/ Libre Venado","description":"\u003cp\u003eCecilia Vicuña\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInspired initially by Jerome Rothenberg’s translation \u003c\/span\u003e\u003cem\u003eFlower World Variations\u003c\/em\u003e\u003cspan\u003e, which Cecilia Vicuña first encountered in 1985, \u003c\/span\u003e\u003cem\u003eDeer Book \u003c\/em\u003e\u003cspan\u003ebrings together nearly forty years of the artist’s poetry, “poethical” translations, and drawings related to cosmologies and mythologies surrounding the deer, and sacrificial dance in cultures around the world. Woven like one of her quipu installations, Vicuña’s texts—which include original compositions in Spanish as well as English translations by Daniel Borzutzky—become meditations on translation, not just of the sacred nature of this animal but on how our understandings of ceremony and ritual are transformed, by this ongoing process. Taken as inspiration rather than conundrum, the impossibility of translation opens up poetic possibilities for Vicuña as she continues her lifelong exploration into the nature of communication across eras and distant lands, languages and shared symbols within Indigenous spiritualities. \u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":48878527316298,"sku":"","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/81dP4e7jX8L._AC_UF894_1000_QL80.jpg?v=1721481874"},{"product_id":"the-hormone-of-darkness","title":"The Hormone of Darkness","description":"\u003cp\u003eTilsa Otta (trans. Farid Matuk)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIn Tilsa Otta’s \u003c\/span\u003e\u003ci\u003eThe Hormone of Darkness\u003c\/i\u003e\u003cspan\u003e, we find a queer, Latinx person who has lived through iterations of authoritarian rule, and who answers these conditions by creating poetry that doubles down on a life force that precedes and exceeds received notions of the poetic. Here poetry is bawdy, fabulist, and spiritual—in short, it is alive. Otta has created a heaven where readers can go after they die.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrawing from four volumes spanning Otta’s career, translator-poet Farid Matuk has curated a playlist we can dance and dream to, one that honors Otta’s drive toward liberation through both \u003c\/span\u003e\u003ci\u003eperreo\u003c\/i\u003e\u003cspan\u003e in the club and transdimensional wandering among the stars.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":49507606102346,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/IMG_7979.jpg?v=1730798729"},{"product_id":"and-we-were-all-alive","title":"And We Were All Alive","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"productPageHeader__author\"\u003eOlvido García Valdés\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"productPageHeader__author\"\u003eTranslated by Catherine Hammond, bilingual edition Spanish\/English\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"We’ve been waiting so long, so expectantly for the poetry of Olvido García Valdés to appear in English translations that convey her signal importance to contemporary poetry in Spain and to international literature. She is one of the great ones. García Valdés taps a mode as essential as the Virgilian pastoral. She pressurizes and opens vents in the syntax, inciting eruptions in logic, emphasizing somatic connections between flesh and world. Characteristically, she braids underdetermined phrasal strands, agencies, points of view, and conceptual and emphatically sensual registers. While absence and negation are key themes in her work, the poems can be sharply funny and they come, against the darkness of our times, to assert a convincing spiritual buoyancy. With an ear keenly tuned to García Valdés‘ complex music, translator Catherine Hammond often leads with the verb in English, tuning to the Spanish and keeping the agency of the verb open, recreating the stripped down and exigent quality of the original, a quality intensified by the Spanish poet’s tendency to juxtapose fragments without subordinating one to the other. This is an important book. You’ll know that as soon as you begin to read the poems.\"—Forrest Gander\u003c\/p\u003e\n\u003chr\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":49534365598026,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1713056780-900.jpg?v=1733782734"},{"product_id":"a-tradition-of-rupture","title":"A Tradition of Rupture","description":"\u003cp\u003eAlejandra Pizarnik\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSince the publication of her 1955 debut poetry collection, \u003c\/span\u003e\u003cem\u003eThe Most Foreign Country\u003c\/em\u003e\u003cspan\u003e, Alejandra Pizarnik has captivated the imaginations of many of Latin America’s most celebrated twentieth-century writers, from Octavio Paz and Julio Cortázar to Roberto Bolaño and Raúl Zurita. Over the last several years, the majority of Pizarnik’s poetry has been translated into English, garnering enormous acclaim in the U.S. and abroad, yet her extraordinary critical writings—including commentaries on figures such as Artaud, Borges, Breton, Michaux, and Pessoa, as well as intimate accounts of her own working methods—remain almost entirely unknown outside the Spanish-speaking world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Tradition of Rupture\u003c\/em\u003e\u003cspan\u003e makes these writings available to English-speaking readers for the first time, offering indispensable insight into the range of Pizarnik’s reading and the principle influences on her poetics. The works collected in this volume also provide a rare glimpse of the famously introverted poet in her capacity as public intellectual and critic, revealing a voracious intelligence turned outward toward the world in vital dialogue with the words of others.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":50350869905738,"sku":"","price":22.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1688188210-900.jpg?v=1740493089"},{"product_id":"theory-of-the-voice-and-dream","title":"Theory of the Voice and Dream","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLiliana Ponce\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eObsessing on the relationship between creation and absence, Argentine poet Liliana Ponce presents an unsettling meditation on body, language, and self. For the first time in English, this edition brings together Ponce’s serial poems from the closing years of the twentieth century, the widely anthologized\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTheory of the Voice and Dream\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFudekara\u003c\/em\u003e, a shorter sequence written in response to a Japanese calligraphy course. In these major works, Ponce questions the nature of writing itself, of how to write when to write today is an emptiness, or when mouth and voice cannot find each other. Breaking with Argentine poetic conventions, Ponce charts a new model for poesis—oneiric, embodied, and urgent. As she says, I write so I don’t have to speak, so I don’t have to watch.\u003c\/p\u003e\n\u003cp\u003e'\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA bolt of world-opening lightning.' – Cecilia Vicuña\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e'\u003cmeta charset=\"utf-8\"\u003eAll thought emits a cosmic gesture and the writing hand traces an inviting, inkwet path to the negative sublime.' – Joyelle McSweeney\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e'Liliana Ponce reaches for the most elemental things, the ones you can see only under blurry light. Her serial poems are vehicles for traveling toward a more enigmatic dimension of reality. Translator Michael Martin Shea exercises great precision, holding himself to her poetic demand for total honesty. Together Ponce and Shea offer a “thinking blue,” turning each poem from day to its nightly unfolding.' – Kristin Dykstra\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":50358039576906,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1739029202-900.jpg?v=1740513832"},{"product_id":"as-though-the-wound-had-heard","title":"As Though the Wound Had Heard","description":"\u003cp\u003eMara Pastor\u003c\/p\u003e\n\u003cp\u003e'Words rarely fail us. Rather, it’s often the other way around. A poem like Mara Pastor’s “Man” reminds me of how much we undercut and burden them with the task of unidirectional sense-making. It lodges in my mind—parasitic, tapeworm-like—for its odd humor, unsettling ambiguity, and refusal to budge. “The Busts of Martí” is a comedic take on polyvocality. María José Giménez’s translations capture the quirks of Pastor’s playful sensibility, and what ensues is buoyancy.'- Mónica de la Torre\u003c\/p\u003e\n\u003cp\u003eMara Pastor (1980, San Juan) currently resides in Ponce, Puerto Rico. Her books include \u003cem\u003ePoemas para fomentar el turismo\u003c\/em\u003e (Secta de los perros: San Juan, 2011), \u003cem\u003eChildren of Another Hour\u003c\/em\u003e (Argos Books: New York, 2014, with translations by Noel Black), and \u003cem\u003eArcadian Boutique \u003c\/em\u003e(Punto de partida: Mexico, 2015), among others. She has also worked as editor of various publications, including the anthology Vientos Alisios: Contemporary Puerto Rican Poetry for the Mexican magazine Punto de Partida, and Polibea (Madrid, 2017). She is currently a university professor, activist, and yoga instructor in her native country.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":50659003760970,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1713056969-900.jpg?v=1744625918"},{"product_id":"and-suddenly-i-was-just-dancing","title":"And Suddenly I Was Just Dancing","description":"\u003cp\u003eTilsa Otta (trans. Honora Spicer)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAnd Suddenly I Was Just Dancing\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecollects poetry by Tilsa Otta (Lima, 1982) in a chapbook of gender-defiant, carnal movement. The rhythm of perreo carries us into an anticolonial space of sensual and sexual liberation which pushes against binaries and towards multiplicity. Curating a collective of spiritual proportions, Otta’s 'New Heaven' is boisterous and honest, zany and earnest, queer and color filled.\u003c\/p\u003e\n\u003cp\u003e'\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTilsa Otta has quickly, and with good reason, become recognized as one of the leading voices of new Latin American writing. From novels to poems, her work is always charged with a tender, cosmic, and electrically personal take on life. I would say that Tilsa is a shooting star, for the energy of her ascent in Peru, Argentina, Mexico, Bolivia, and Spain, but there’s nothing fleeting about the light she emits. Tilsa’s star is here to stay, shining at last over the English-speaking world in Honora Spicer’s translation. So, look up, take it in, and don't forget to make a wish: her poems have been known to make even the wildest ones come true.' – Kit Schluter\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":50659015590218,"sku":"","price":22.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1713315652-900.jpg?v=1744630968"},{"product_id":"the-dream-of-every-cell","title":"The Dream of Every Cell","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"productPageHeader__author\"\u003eMaricela Guerrero\u003c\/span\u003e\u003cspan\u003e (trans. Robin Myers)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e'\u003cmeta charset=\"utf-8\"\u003eEncouragement is a round warm form of resistance,” writes Maricela Guerrero, as if describing her own project. In these powerful and necessary poems, beautifully rendered by Robin Myers, Guerrero reveals a worldwide cellular consciousness that generously offers us rivers of leaves and wolves to feed and clean the heart and its languages. Building furrows of words and speaking in tree, Guerrero creates a poetry to shelter in. In her capable hands and tongue we are carried in rivers of nourishment. It’s exactly what the world needs, and I am flooded with gratitude. For joy, for grace, for tenderness, for righteous grief and its acknowledgment, for inspiration and sustenance, you must read this book.' – Eleni Sikelanios\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e(Mexico City, 1977) is the author of nine poetry collections. \u003cem\u003eEl sueño de toda célula\u003c\/em\u003e (Ediciones Antílope\/Instituto Veracruzano de la Cultura, Mexico City, 2018) won the Clemencia Isaura Prize in 2018. Cardboard House Press published her book Kilimanjaro, translated by Stalina Villareal, in 2018. Guerrero has been a member of Mexico’s prestigious SNCA (National System of Artists). Her work has also been translated into German, Swedish, and French.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":50659028369738,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1712706758-900.jpg?v=1744625587"},{"product_id":"de-droom-van-elke-cel","title":"De droom van elke cel","description":"\u003cdiv class=\"text-base\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eMaricela Guerrero (Lisa Thunnissen vertaling)\u003c\/div\u003e\n\u003cdiv class=\"text-base\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"text-base\"\u003e\n\u003cem\u003eEl sueño de toda célula\u003c\/em\u003e van Maricela Guerrero werd bij verschijnen in 2018 geprezen, bekroond en prompt vertaald in het Duits (2021) en Engels (2022). M10Boeken brengt nu een Nederlandse vertaling van deze bundel als tweede deel in haar poëziereeks. De titel lijkt zichzelf tegen te spreken: ‘cel’ suggereert een (natuur-) wetenschappelijke invalshoek, maar dromende cellen horen in dat vakgebied niet thuis. Precies die tegenstelling vormt een grondlaag in \u003cem\u003eDe droom van elke cel\u003c\/em\u003e, waarin een opsomming van biologische termen voor bladvormen kan overgaan in een oproep tot verzet, bijvoorbeeld tegen het ‘imperium’ dat telkens weer opduikt en de wereld inkleurt met zijn taal. De dichter wil die taal opschudden, openbreken, ontmantelen. Ze zoekt naar een manier om te communiceren met het leven dat haar omringt: ‘Boom spreken. Wolf spreken.’ Zo gaat ze de dreiging te lijf van het zogenoemde imperium dat ontgint, verbrandt en bomen velt. Tegenover de angst in die wereld stelt ze bomen die met elkaar praten en voor elkaar zorgen, een wolvin die ons troost en het bos in draagt, een dadelpalm die groeit in een drukke stad, of domweg: ademhalen.\u003c\/div\u003e\n\u003cdiv class=\"text-base\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"text-base\"\u003eMaricela Guerrero (1977) schrijft gedichten en af en toe proza. Desde las ramas una guacamaya (2006) was haar debuut. Inmiddels heeft ze elf poëziebundels gepubliceerd. Voor 'El sueño de toda célula' (2018) ontving ze de Mexicaanse poëzieprijs Premio Clemencia Isaura de Poesía. Haar werk werd vertaald in het Duits, Engels, Frans en Zweeds. VERTALER Lisa Thunnissen (1984) vertaalt met name auteurs uit Latijns-Amerika. Haar eerste boekvertaling 'De cowboykampioen' (2017) van Aura Xilonen werd genomineerd voor de Filter Vertaalprijs en in 2021 ontving ze het Charlotte Köhler Stipendium. Maricela Guerrero is te gast bij het Poetry International Festival (12-15 juni 2025).\u003c\/div\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":50796948619594,"sku":"","price":24.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/om_maricela.png?v=1747316877"},{"product_id":"i-sugar-the-bones","title":"I Sugar the Bones","description":"\u003cp\u003eJuana Adcock\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThrough the porosity of the US\/Mexico border, Freudian slippages, and toxic relationships, poet Juana Adcock interrogates what it means to cross from one country into another – the gradient spaces that inhabit the nexus between life and death, and the people and languages that sit either side of it. Ghostly glitches, the role of rivers, and the character of Lisa Simpson as voiced for the Latin American market all empower \u003cem\u003eI Sugar the Bones\u003c\/em\u003e to stand as a polyvocal display; one where revelatory restlessness is underpinned by predicaments and realities which work to complicate the vistas of the interpersonal.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":50819009577290,"sku":"","price":16.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/juana_cover_for_shop_front.png?v=1746613141"},{"product_id":"red-lip-peril-1","title":"Red Lip Peril","description":"\u003cp\u003eDalmacia Ruiz-Rosas Samohod (trans. Judah Rubin)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRed Lip Peril\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebrings Peruvian poet Dalmacia Ruiz-Rosas’s searing, corporeal, political poems of the 1970s and 1980s into English for the first time. Harnessing and writing back against state violence, against amnesia, against complacency, and into desire, these poems speak a Lima on the brink, caught in the landslide of history, where the poet is “still shut up remembering ’77 \/ when for screaming my dreams aloud they beat me”.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":53373819126090,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1757435811-900.jpg?v=1763493950"},{"product_id":"bodies-found-in-various-places","title":"Bodies Found in Various Places","description":"\u003cp\u003e\u003cspan class=\"productPageHeader__author\"\u003eElvira Hernández\u003c\/span\u003e (trans. Daniel Borzutzky \u0026amp; Alec Schumacher)\u003c\/p\u003e\n\u003cp\u003eElvira Hernández has occupied a marginal position in the Chilean poetic scene for decades, her quiet but mordant voice looking inward and outward, ironizing the circumstances of life that have brought us to this critical point in society. As recently as 2018, her work has become more visible after receiving the Jorge Teillier National Poetry Award (2018), the Pablo Neruda Ibero-American Poetry Award (2018), and the National Literature Prize (Chile 2024). With this belated recognition of her work has come an interest in studying her unique poetic language, with new critical books forthcoming from Spanish and Latin American publishers. \u003cem\u003eBodies Found in Various Places\u003c\/em\u003e collects poems written from 1981-2016, providing readers with a curation of texts that show why Hernández is one of the most vital Latin American poets writing today.\u003c\/p\u003e\n\u003cp\u003e'Elvira Hernández wrote her poem “The Chilean Flag” after she herself had been detained and tortured by the dictatorship for not complying with its lies. While Chileans were trained to look the other way, to go quiet by this terror, Elvira Hernández wrote a poem that could not be printed. Yet, the poem escaped like a prisoner and began circulating in Xeroxes, from hand to hand, until ten years later it was finally printed in Buenos Aires. In Elvira Hernández’s poetry, each line restores the right of words to speak. Each word becomes a healer, a prayer for a wounded, enslaved humanity forced to obey the rule of profit over life.'—Cecilia Vicuña\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":64136921907530,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1753666806-900.jpg?v=1793215642"}],"url":"https:\/\/boekhandelperdu.nl\/collections\/latin-american-feminist-poetry.oembed","provider":"Boekhandel Perdu","version":"1.0","type":"link"}