{"title":"Latin American","description":"","products":[{"product_id":"exilium","title":"Exilium","description":"\u003cp\u003eMaría Negroni, translated by Michelle Gil-Montero\u003cbr\u003e\u003c\/p\u003e\n\u003csection class=\"section\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAs Juan Gelman once wrote, “exile has no form but leaves a trace.” In \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eExilium\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, Argentine poet María Negroni sketches precisely such a trace, in a poetic form that approaches opposite extremes of material immediacy and evanescence. On an imaginative terrain that sweeps the Greco-Roman, the “long night” of Argentina’s last dictatorship, and the crisis of displaced migrants today, Negroni locates the exile within poetry itself. In this poetics of exile, the poem shines in its utopian desire to write the “unwritten words,” revealing language at its most estranged, most wanting.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46844748366154,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Screenshot2023-06-20at16.22.09.png?v=1687270950"},{"product_id":"the-winter-garden-photograph","title":"The Winter Garden Photograph","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eReina María Rodríguez\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eA meditation on the power and limitations of images, \u003cem\u003eThe Winter Garden Photograph\u003c\/em\u003e began as an homage to a magazine, \u003cem\u003eThe Courier\u003c\/em\u003e, published by UNESCO. Reina María Rodríguez used the magazine’s photographs of faraway places to spark an investigation of the mental landscapes comprising her own, contemporary Havana. \u003cem\u003eI think through \/ the breath in you; I think through \/ the blood in you\u003c\/em\u003e: precisely in striving to inhabit other worlds, she pursues the self. With the original Cuban edition of this book, Rodríguez won her second Casa de las Américas Prize for Poetry.\u003c\/p\u003e\n\u003cp\u003eThis edition includes a set of co-translations by Dykstra and Nancy Gates Madsen, and an interview with Rodríguez, conducted by Rosa Alcalá.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46844795945290,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/61Ki7rsadHL._AC_UF894_1000_QL80.jpg?v=1703329261"},{"product_id":"spit-temple","title":"Spit Temple","description":"\u003cp\u003eCecilia Vicuña\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe first overview of the work of this seminal multi-disciplinary artist, \u003cem\u003eSPIT TEMPLE\u003c\/em\u003e collects texts and transcriptions of Cecilia Vicuña’s uncategorizable improvised performances, which combine singing, movement, chants, and stories. Also included are a critical introduction by Rosa Alcalá, a poetic memoir by Vicuña addressing her life in performance, images from Vicuña’s extensive personal archive, and response pieces by Maria Damon, Linda Duke, Nada Gordon, Jena Osman, Kenneth Sherwood, Juliana Spahr, Dennis Tedlock, Edwin Torres, and Rodrigo Toscano. A reading from the book is available online \u003ca href=\"https:\/\/www.commonpodcast.com\/home\/2018\/11\/20\/episode-61-rosa-alcal-translation-series-ep-1\"\u003ehere\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCecilia Vicuña is a Chilean poet, artist, and filmmaker. The author of twenty poetry books published in Europe, Latin America and the U.S., she performs and exhibits her work widely. A precursor of conceptual, impermanent art and the improvisatory oral performance, her work deals with the interactions between language, earth and textiles.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46901969191242,"sku":"","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/6d123438be80ef6b680811f04d4e01a4.jpg?v=1689769573"},{"product_id":"materia-prima","title":"Materia Prima","description":"\u003cp data-mce-fragment=\"1\"\u003eAmanda Berenguer (ed. Kristin Dykstra and Kent Johnson)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is the first English-language collection of Amanda Berenguer's poetry. A key contributor to Uruguay's famed literary Generación del 45, Berenguer (1921-2010) stands among the most important post-World War II poets of Latin America, along with her now-legendary compatriot Marosa di Giorgio. Berenguer's poetry, stylistically and conceptually varied, ranges from classic, measured lyric to Dickinson-inspired gnomic utterance; from metaphysical and erotic rhetorical effusion to condensed and radically concrete experiment; from seemingly apolitical languor to pointed ideological dissent.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe poems included in this edition span a large portion of Berenguer's career and are taken from seven of her books—\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMateria Prima\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1966), \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eComposición de Lugar\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1976), \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eIdentidad de ciertas frutas\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1983), \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLa dama de Elche\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1985), \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLa botella verde\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1995), \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLa cuidadora del fuego\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2010)—and from a book of selected poems from 1968-1984, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eCon el tigre entre las cosas\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2002). A special section of this edition is dedicated to her visual poems, including pieces that appeared in magazines in the early 1970s.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46902021980490,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/materiaprimaGIANTscan_331.jpg?v=1698254180"},{"product_id":"i-remember-nightfall","title":"I Remember Nightfall","description":"\u003cp\u003eMarosa di Giorgio\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTranslated from the Spanish by Jeannine Pitas in a bilingual edition, this new translation of Marosa di Giorgio, one of Uruguay's most famous poets, includes four book-length poems from the middle of her career: \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe History of Violets\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1965); \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMagnolia\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1968); \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe War of the Orchards\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1971); and \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Native Garden is in Flames\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1975). T\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ehese serial prose poems explore memory, familial relationships, erotic desire, and war. Marosa di Giorgio uses the recurring setting of a garden as a stage for the ongoing encounter of nature and the supernatural.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46902042755402,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Nightfall-150dpi-704x1024.jpg?v=1699526827"},{"product_id":"trilce","title":"Trilce","description":"\u003cp\u003eCesar Vallejo (trans. and with glosses by\u003cspan data-mce-fragment=\"1\"\u003e William Rowe and Helen Dimos)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eIn \u003ci\u003eTrilce, \u003c\/i\u003eCésar Vallejo subjects time and identity to a series of operations that take their motion from a subtle intuition of capitalist modernity. The voices of the poem do not correspond with a succession of past, present and future. The poem doesn’t simply symbolize or allegorize childhood or family life. In the face of an indeterminate time, identification is impossible. And desire is not simply nostalgia of childhood eroticism, but desire for a different time. Time in these poems expands and contracts, as if the ‘I’ were at an absolute limit between annihilation and expansion of potentiality. Dimos and Rowe’s work reveals these operations through subtle analysis and in so doing rescues Vallejo from the anecdotal and tragic narrative in which he is often placed and where dramatic expression of pain is supposed to be the rule.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46917668536650,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Veer-100---Front---Back-Cover_2226.png?v=1689707231"},{"product_id":"adjacent-islands-1","title":"Adjacent Islands","description":"\u003cp\u003eNicole Cecilia Delgado, translated by Urayán Noel \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNicole Cecilia Delgado’s book art is intimate yet poised toward the radically communitarian, both in the people and histories evoked in its pages and in the collaborative and unabashedly political orientation of her editorial and publishing work. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eadjacent islands\/islas adyacentes\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a bilingual edition of her artist books \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eamoná\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2013) and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esubtropical dry\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2016), both based on camping trips to islands in the Puerto Rican archipelago: the uninhabited Mona to the west of the main island and the municipality of Vieques to the east (Amoná and Bieké in the reconstructed indigenous Taíno language). Challenging the insularist logic that has historically defined Puerto Rican national imaginaries, on these adjacent islands, people and nature connect in unexpected ways, as Delgado documents the art of survival under military occupation, extractivism, and the surveillance state. Part of a larger corpus of what Delgado calls “camping books,” \u003cem\u003eadjacent islands \/ islas adjacentes\u003c\/em\u003e seeks to translate the \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eintemperie\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (open sky) of the camping trip onto the confines of the page. Delgado follows the late Ulises Carrión in enacting a networked book art where “communication is still inter-subjective, but it occurs in a concrete, real, physical space—the page.” Call it book art as counterarchive.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47094254305610,"sku":"","price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/adjacent-islands-cover-782x1024.png?v=1697552421"},{"product_id":"galaxias","title":"galáxias","description":"\u003cp\u003eHaroldo de Campos (trans. Odile Cisneros)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBegun in 1963 and only published in its final form in 1984, \u003cem\u003egaláxias\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e is a \u003c\/span\u003e\u003ci\u003e\u003cspan\u003esui generis\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e work. As Haroldo de Campos himself wrote: “An audiovideotext, a videotextgame, the \u003cem\u003egaláxias\u003c\/em\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003esituate themselves on the border between prose and poetry. In this kaleidoscopic book, there’s an epic, narrative gesture—mini-stories that come together and dissolve like the ‘suspense’ of a detective novel … but the image remains, the vision or calling of the epiphanic.” A series of 50 “galactic cantos”—in homage to both Dante and Pound—de Campos likewise follows James Joyce’s cue in conceiving of \u003cem\u003egaláxias\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e as a “defense and illustration” of the Portuguese language and its poetic possibilities. The text incorporates literary allusion, citation, and words and phrases in at least a dozen languages, making \u003cem\u003egaláxias\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e a formidable experiment in polyglot poetry. \u003cem\u003egaláxias\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e charts the literal and literary journeys de Campos undertook from the early 1950s on. Arguably his chief poetic accomplishment, \u003cem\u003egaláxias\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e is also a landmark in world avant-garde poetics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e'Haroldo de Campos’s epic and epiphanic\u003cspan\u003e \u003c\/span\u003e\u003cem\u003egaláxias\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efinds the poetic in prose and the narrative in poetry, demonstrating again why he was one of the liveliest and most original poets of his generation in Brazil or elsewhere. Like 100 mini-kaleidoscopes, or travel stories, or “videotextgames,” to echo de Campos,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003egaláxias\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eanticipates the best of our current social media world but with an unmatched vision and verve.' – John Keene\u003c\/p\u003e\n\u003c!----\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47119332311370,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Galaxias_8Sep2023.jpg?v=1695302269"},{"product_id":"11","title":"11","description":"\u003cp\u003eCarlos Soto-Román\u003c\/p\u003e\n\u003cp\u003eThe title of this book evokes the \"other\" September 11: Chile's September 11, 1973, when Augusto Pinochet led a military coup to oust the democratically elected government of Salvador Allende and inaugurated a brutal 17-year dictatorship. Assembled from found material such as declassified documents, testimonies, interviews, and media files, \u003cem\u003e11\u003c\/em\u003e immerses readers in the State-sponsored terror during this period and the effects it would continue to have on Chile. The poetry in this book adopts the form of collage, erasure, and appropriation, the language emerging from censorship and suffocation as experienced under military rule. Soto-Román's work asks us to understand the past through what has been covered up, to reflect on the spoken and unspoken pieces that interact to create a collective memory. How does censorship translate into another language when translation already involves so many degrees of selective removal? 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In \u003c\/span\u003e\u003cem\u003eInterior Landscape\u003c\/em\u003e\u003cspan\u003e, Rosenberg explores questions of life and death, of changes experienced in one’s body through time and the resulting changes in perspective.These poems contemplate the dislocation of the self, posing questions about the relationship between subjectivity, perception, the body, and memory. Rosenberg’s voice is at once autobiographical and critical, displaying the interior landscapes of its experience as well as the complex ways that language forms a fundamental part of that experience. Originally published in Spanish in Argentina in 2012, \u003c\/span\u003e\u003cem\u003eInterior Landscape\u003c\/em\u003e\u003cspan\u003e is the first book-length translation of Rosenberg’s poetry to be published in English.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47119411183946,"sku":"","price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/INTERIOR-LANDSCAPE_SCAN-758x1024.jpg?v=1698254111"},{"product_id":"the-telerana-circuit","title":"The Teleraña Circuit","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLucía Hinojosa Gaxiola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Teleraña Circuit\u003c\/em\u003e is Lucía Hinojosa Gaxiola's first book of poems, a deeply felt and sustained investigative thought-web of material and immaterial memory. Through different sectional lenses, she constructs a poetic portrait of her aunt who was, aptly, an archeologist. In this, she creates a series of visual and sonic poem-glyphs that score archaeologies of personal and cultural memory, where each cycle spins and sings new registers of connective depth. This bilingual text blossoms into a mesh of charged, fractal elements: each line or \"fragment\" imbued with the full presence of the whole.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47183190851914,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9780927920216.jpg?v=1697552374"},{"product_id":"secret-poetics-1","title":"Secret Poetics","description":"\u003cp\u003eHélio Oiticica\u003c\/p\u003e\n\u003cp\u003eHélio Oiticica (1937-80) is widely considered one of Brazil's most significant artists, and his influence is felt across a range of disciplines including painting, film, installation and participatory art. He is well known as a key founder of the interdisciplinary movement known as Neoconcretismo, launched in Rio de Janeiro in 1959 with the collaboration of artists and writers including Lygia Clark, Lygia Pape and Ferreira Gullar. Between 1964 and 1966, moving out of his Neoconcretist period, Oiticica wrote a series of lyrical poems entitled \"Poética Secreta\" (\u003cem\u003eSecret Poetics\u003c\/em\u003e), and he reflected in a private notebook on their significance for his wider practice as an artist. Despite Oiticica's global fame, his \"secret\" poems are almost unknown and have never been published as a collection. This bilingual edition, with accompanying essays by translator Rebecca Kosick and critic Pedro Erber, uncovers the significance of poetry for Oititica's art and shows its importance to his thinking on participation, sensation and memory.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47183264940362,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Oiticica-Promo-Cover-1.jpg?v=1697550423"},{"product_id":"upper-volta","title":"Upper Volta","description":"\u003cp\u003eYanko Gonzalez, translation Stephen Rosenshein\u003c\/p\u003e\n\u003cp\u003eLike an anthropologist doing fieldwork, in \u003cem\u003eUpper Volt\u003c\/em\u003ea Yanko González collects language from street corners, grocery store aisles, cocktail hours, and historical sources, laying data bare with a poet's meticulous hand. 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INTERVENIR\/INTERVENE asks questions no one should have to ask: in a climate of state- sponsored violence, what kinds of speech, writing, relation are possible? We are being intervened. How do we collaborate? How do we resist?\u003c\/p\u003e\n\u003cp\u003eINTERVENIR\/INTERVENE es una colaboración mordaz, tierna e impávida entre dos poetas mexicanos—Dolores Dorantes, que vivió 25 años en Ciudad Juárez y ahora tiene asilo político en Los ángeles, y Rodrigo Flores Sánchez, que vive en la Ciudad de México. INTERVENIR\/INTERVENE hace preguntas que nadie debería verse obligado a preguntar: en un clima de violencia promovida por el Estado, ¿qué tipos de expresión, de escritura, de relación, son posibles? Estamos siendo intervenidos. ¿Cómo colaboramos? ¿Cómo resistimos?\u003c\/p\u003e\n\u003cp\u003eBilingual edition, translated by Jen Hofer\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47250219270474,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Intervenir_Giant-704x1024.jpg?v=1698254857"},{"product_id":"copy","title":"Copy","description":"\u003cp\u003eDolores Dorantes (trans. Robin Myers)\u003c\/p\u003e\n\u003cp\u003e\"Without the copying process,\" the poet Dolores Dorantes has said, \"there would be no life, no reality.\" Through deconstructed dictionary entries and powerfully syncopated, recursive texts, \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCopy\u003c\/em\u003e is a prose poem sequence that insinuates an experience of violent removal: a person's disappearance from a country, from normal life, and forcible reintegration into a new social and existential configuration. This displaced, dispossessed voice explores what it means to be extracted, subtracted, abstracted out of being – and returned into it. Meditative, urgent, and alive, \u003cem\u003eCopy\u003c\/em\u003e asserts itself as an invocation, both intensely personal and insistently communal, of the right to refuge, and it enacts a powerful homage to the human capacity for creation and metamorphosis. In this way, this book points to the wound of being extricated, serving as both a suture and a salve.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47257733529930,"sku":"","price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/596ca40b3455fd75f8af23ff0a4f7088.jpg?v=1699610167"},{"product_id":"rough-song","title":"Rough Song","description":"\u003cp\u003eBlanca Varela (trans. Carlos Lara)\u003c\/p\u003e\n\u003cp\u003eIt's hard to believe that the books of Blanca Varela (1926-2009), considered one of Peru’s greatest poets, as well as the first woman to win the Federico García Lorca International Poetry Prize, have not been translated into English until now.\u003c\/p\u003e\n\u003cp\u003eOriginally published in Spanish in 1978, this new publication of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRough Song\u003c\/em\u003e, translated by Carlos Lara, heralds the long overdue introduction of a major Latin American poet to English-language readers. Born into a family known for advancing art in Latin America, Varela lived briefly in Paris in the late '40s and '50s where she quickly became friends with Andre Breton, Jean-Paul Sartre, Henri Michaux, Simone de Beauvoir, Alberto Giacometti, and in particular, Octavio Paz, who called Varela \"the most secret, timid and natural of them all.\"\u003c\/p\u003e\n\u003cp\u003eReturning to Lima in the '60s, she established herself as one of Peru's key literary intelligentsia. The poems in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRough Song\u003c\/em\u003e, these \"flowers for the ear,\" range wildly in form, from two lines to seven pages long, and each presents a world of intense precision in language, fully conscious of reality and its metaphysical limits—“yes \/ the dark matter \/ animated by your hand \/ it’s me.\" Varela’s deceptively simple poems hold a mysteriously delicate weight far beyond their length. A formidable voice in Latin American literature, Blanca Varela is destined to inspire awe and summon new readers for years to come.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47286164455754,"sku":"","price":22.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9781734035131.jpg?v=1700166552"},{"product_id":"one-impossible-step","title":"One Impossible Step","description":"\u003cp\u003eOrides Fontela, translation Chris Daniels\u003c\/p\u003e\n\u003cp\u003eA selection of extraordinarily condensed, emotionally complex, philosophical poems by a unique and highly regarded 20th-century Brazilian poet.\u003c\/p\u003e\n\u003cp\u003eIn her lifetime, Orides Fontela resisted all labels, all attempts to situate her work in a particular movement, school, tendency, or tradition. Here, in her first ever English-language collection, Fontela’s poetry continues to defy easy categorization. In these concise, meditative poems, Fontela’s bird and flower, water and stone, blood and star can be read as symbols, indicating a possible tendency toward mysticism. Including an illuminating statement of poetics and excerpts from her often acerbic interviews, \u003cem\u003eOne Impossible Step\u003c\/em\u003e introduces English-language audiences to an iconoclast who remains one across languages and decades.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47290212057418,"sku":"","price":17.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/91BVzhBzMcL._SL1500.jpg?v=1699533845"},{"product_id":"stridentist-poems","title":"Stridentist Poems","description":"\u003cp\u003eManuel Maples Arce (trans. KM Cascia)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eStridentist Poems\u003c\/em\u003e is a complete bilingual edition of the major early works of Manuel Maples Arce, founder of Stridentism, Mexico's most radical avant-garde movement of the 1920s.\u003c\/p\u003e\n\u003cp\u003eMaples Arce's Stridentist poetry appeared at a time when Mexico was the center of the avant-garde, in a milieu that included Kahlo and Rivera, Modotti and Weston. His early books – Inner Scaffolds, CITY, and Prohibited Poems, collected here along with his first Manifesto – advanced the Stridentist program for a revolutionary poetry with increasingly refined precision. Made of the reaction between the poet's material reality and subjective emotional experience, his poems were meant to send \"Chopin to the electric chair!\"\u003c\/p\u003e\n\u003cp\u003e\"Maples Arce appears, passing out molotov cocktails to girls, waving to twenty-eight year old revolutionary generals from a speeding motorcycle, listening to Jazz with his stomach while military trains unload the wounded, telling poetry, From now on your name's Adventure.\"--Roberto Bolaño\u003c\/p\u003e\n\u003cp\u003e\"KM Cascia's versions of these mercurial poems capture the velocity of their pulse and the breadth of their postrevolutionary ambitions, enthralled with airplanes as much as writing machines (typewriters in Spanish). The bravado of Stridentism's inaugural manifesto might be impossible to match, but that's the mark of Maples Arce's utopianism and of his works' avant-garde cred: 'Chopin to the electric chair! ... is a marvelous preparation; in twenty-four hours it exterminates all the germs of a putrefied literature and its use is so very agreeable and beneficial. Shake well before using.' Of his savvy, here is the proof: 'Trademark M.M.A.'\"-- Mónica de la Torre\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47309182206282,"sku":"","price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9781954218116.jpg?v=1699526722"},{"product_id":"of-death-minimal-odes","title":"Of Death. Minimal Odes","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHilda Hilst\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIf life is no more than a prolonged flirtation with death, then Hilda Hilst's \u003cem\u003eOf Death. Minimal Odes\u003c\/em\u003e is the true account of a lifelong seduction. It is at once both a reverie and reliquary, as the poet imagines and reimagines that most paradoxical moment of disintegration – the corporeal flesh fusing with death's own dark corpus. With a visceral-mystical poetic voice that is as teasingly unrestrained as it is intellectually sublime, Hilst's odes enact a baroque danse macabre, where the poet revels in the incongruities of simultaneously seeking the sacred and profane. Translating the first collection of Hilda Hilst's significant body of poetry to appear in English, Laura Cescarco Eglin renders the imagery and philosophical complexity of these minimal odes with brio, while preserving the playful tone and lush melodies that mark \u003cmeta charset=\"utf-8\"\u003e \u003cem data-mce-fragment=\"1\"\u003eOf Death. Minimal Odes\u003c\/em\u003e as uniquely Hilstian.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'Before gaining notoriety for her highly original, experimental, and provocative works of fiction, Hilda Hilst engraved her name in Brazilian literary circles as a poet. \u003cmeta charset=\"utf-8\"\u003e \u003cem data-mce-fragment=\"1\"\u003eOf Death. Minimal Odes\u003c\/em\u003e, newly and assuredly translated by Laura Cesarco Eglin, shows Hilst the poet at her distilled best. As much a multimedia conversation with poetry as with life, death, and herself, Hilst poses essential questions whose answers lie at the core of these poems.' – John Keene\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47309410402634,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/51FvzgHK0yL._AC_UF1000_1000_QL80.jpg?v=1700576555"},{"product_id":"extracting-the-stone-of","title":"Extracting the Stone of Madness","description":"\u003cp\u003eAlejandra Pizarnik, translated by Yvette Siegert\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRevered by Octavio Paz and Roberto Bolaño, Alejandra Pizarnik is still a hidden treasure in the U.S. \u003cem\u003eExtracting the Stone of Madness\u003c\/em\u003e comprises all of her middle to late work, as well as a selection of posthumously published verse. Obsessed with themes of solitude, childhood, madness, and death, Pizarnik explored the shifting valences of the self and the border between speech and silence. In her own words, she was drawn to “the suffering of Baudelaire, the suicide of Nerval, the premature silence of Rimbaud, the mysterious and fleeting presence of Lautréamont,” and to the “unparalleled intensity” of Artaud’s “physical and moral suffering.”\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47309547798858,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/61oy9L12ImL._SL1200.jpg?v=1699533823"},{"product_id":"the-lady-of-elche","title":"The Lady of Elche","description":"\u003cp\u003eAmanda Berenguer, translation Kristin Dykstra\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe Lady of Elche\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"a-text-bold\"\u003e showcases an indispensable collection by acclaimed poet Amanda Berenguer, available for the first time with a complete English translation, alongside the Spanish poems, as well as a companion essay by Kristin Dykstra.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Lady of Elche\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is Kristin Dykstra's translation of one of Amanda Berenguer,'s most acclaimed collections of poetry. The many faces surfacing through \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Lady of Elche\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e's portraits hint at Berenguer's multifaceted poetics writ large. Dazzling landscapes exhibit her characteristic curiosity about the world, merging past with present. Berenguer pointedly cycles her mythological navigations of the surface toward revelations of a counterforce: other knowledge percolating below. And so it is not only the ancient Iberian sculpture known as \"La Dama de Elche\" that she unearths. Berenguer descends in search of images silenced by the neofascist Uruguayan dictatorship of 1973-1985, whose exercises in annihilation and complicity still impact public life today. Presented here in its first bilingual edition, the 1987 book drips with prophecy still relevant to our own time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Amanda Berenguer's poems from the 1980s collected under the title of \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Lady of Elche\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e are, like the unburied sculpture of the title, an enigma of identity, history, and memory constructed through shards of language cutting through time and space. The poetic voice emerges in Montevideo, in Spain, in the Grand Canyon, in New York, in search of self and connection. Berenguer's images are as jarring and blunt as the 'mandrake moon,' which 'stuck nightmares \/ and perversion into both sockets of my eyes,' and as haunting and fluid as 'an oscillating forest of submerged cadavers \/ feet shackled in cement cubes.' Dykstra's phenomenal translations are works of art themselves, poignantly rendering Berenguer's shifting registers and movement through the far reaches of modernity into English-language poetry. The 'nervous memory-fish' of Berenguer's challenge to the would-be censors of the Americas flit through the waters of our shared, violent history, emerging from its depths to demand a reckoning that is seemingly forever displaced.\"--Juliet Lynd, scholar of Latin American literature and culture\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47313894375754,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9781949776140.jpg?v=1700168430"},{"product_id":"ova-completa","title":"Ova Completa","description":"\u003cp\u003eSusana Thénon (trans. Rebekah Smith)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSusana Thénon (1935–1991) is a key poet of the ’60s generation in Argentina. In \u003c\/span\u003e\u003cem\u003eOva Completa\u003c\/em\u003e\u003cspan\u003e, her final, most radical collection, Thénon’s poetics expands to incorporate all it touches—classical and popular culture, song lyrics and vulgarities, incoherence and musicality—embodying humor and terror while writing obliquely of femicide, Argentina’s last dictatorship, the Malvinas \/ Falklands war, the heritage of colonialism. \u003c\/span\u003e\u003cem\u003eOva Completa\u003c\/em\u003e\u003cspan\u003e is a collection full of stylistic innovation, language play, dark humor, and socio-political insight, or, as Thénon writes, “me on earth; me with the others; me ignorant, rude, all mixed in Latin, Greek, shit, noodles, culture, and barbarism.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e'This is the first time I’ve endorsed a book after reading a handful of poems because I’ve never encountered a handful of poems this intriguing. Is Susana Thénon Jorge Louis Borges' long lost daughter, is she Juan Gelman’s sister, or is she a star from some wholly underrecognized dimension? It took just a sampling of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOva Completa\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eto expand both my sense of the Argentinian literary landscape and my sense of poetic innovation. I can’t wait to read the rest of this rich and resonating collection.' – Terrance Hayes\u003c\/p\u003e\n\u003cp\u003e'I’m in disbelief that these poems were written over thirty years ago by someone born in 1935. How can it be? Susana Thénon’s flair for code-switching—from Argentine regionalisms to mock etymologies to an ever-seductive English—seems ahead of its time, as do her poems’ fragmentariness, skepticism of language and its institutions. (\u003cem\u003eVide\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eletters, bureaucracy.) Clearly, they weren’t, but that’s the magic of their immediacy and of Rebekah Smith’s brilliant translations. Caustic, restless, and delighting in their own performativity, they’ll make you want to catch up with them.' – Mónica de la Torre\u003ccite\u003e\u003c\/cite\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47315081429322,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/OvaCompleta_promocover-1-766x1024.png?v=1727276977"},{"product_id":"grenade-in-the-mouth","title":"Grenade in the Mouth","description":"\u003cp\u003eMiyó Vestrini (trans. Anne Boyer \u0026amp; Cassandra Gillig)\u003c\/p\u003e\n\u003cp\u003eEdited by Faride Mereb and translated by Anne Boyer and Cassandra Gillig, \u003cem\u003eGrenade in Mouth: Some Poems of Miyó Vestrini \u003c\/em\u003eintroduces to Anglophone readers the work of one of the vanguard voices of Venezuelan poetry with texts that cover three decades: from the year 1960 to 1990. The book offers a broader spectrum of her poems than ever previously compiled, including previously unpublished texts alongside her best known and most important works.\u003c\/p\u003e\n\u003cp\u003eCritics have called Miyó Vestrini the poet of “militant death.” Vestrini is known, too, as the Sylvia Plath of Venezuela, but if she is a Plath, we think she is one who would have set Ted Hughes on fire.  And if Vestrini is a confessional poet, what she is confessing is not a set of personal problems: it is a fatal disappointment with the world at large. Her work is less a self-exposure than a set of  incantations.  These poems are spells for a death that might live eternally, for what Vestrini offers readers is a fundamental paradox: how to create, through writing, an enduring extinction.  Her poems are not soft or brooding laments.  They are bricks hurled at empires, ex-lovers, and any saccharine-laced lie that parades itself as the only available truth.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47319643980106,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9780999719831.jpg?v=1700165134"},{"product_id":"saborami","title":"Saborami","description":"\u003cp\u003eCecilia Vicuña\u003c\/p\u003e\n\u003cp\u003eCecilia Vicuña created \u003cem\u003eSaborami\u003c\/em\u003e in the aftermath of the September 1973 military coup in Chile. Combining poetry, journal entries, documentation of artworks including assemblages and paintings, the book was published in Devon, England, in an edition of 250 hand-made copies by the artist-led Beau Geste Press. It was one of the first artistic responses to the violence of the fascist junta.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCoinciding with the fiftieth anniversary of the book's original publication and of the coup in Chile, \u003cem\u003eSaborami: Expanded facsimile edition\u003c\/em\u003e by Cecilin Vicuña, is edited by Amy Tobin and Luke Roberts, and contains rarely seen archival material from Vicuña's time in London, and her role in Artists for Democracy in Chile and other solidarity campaigns.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47558644302154,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/CV_Cover_temp-835x1024.jpg?v=1707140244"},{"product_id":"word-weapons","title":"Word Weapons","description":"\u003cp\u003eCecilia Vicuña\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis book brings together the \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ePalabrarmas\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e series by the Chilean-born artist, poet and activist Cecilia Vicuña (born 1948). Images of these works―each a powerful juxtaposition of color, poetry and politics―appear alongside new essays and historical references chosen with the artist. \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ePalabrarmas\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e, a neologism that translates to \"word weapons\" or \"word arms,\" imagine new ways of seeing language. Taking the form of collages, silkscreens, drawings, poems, fabric banners, cutouts, mixed-media installations and street actions, Vicuña’s \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ePalabarmas\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e bring together her work in poetry, activism, and visual art. Each one unpacks and deconstructs single words to reveal other words hiding within them, allowing new meanings to emerge. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe artist began making these visual anagrams while in exile in London and Bogotá after the Pinochet-led coup of 1973 in Chile and has always seen them as a form of liberation―as a way to \"open up minds by opening up words,\" as she puts it. The \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ePalabarmas\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e have taken on new relevance in today’s political climate and appeared on the streets during Chile’s 2019 revolution as protest signs. This book presents a range of \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ePalabrarmas\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e in color for the first time, with new essays by Mónica de la Torre, Carla Macchiavello, Cecilia Vicuña and Jeanne Gerrity, and reprinted texts by René Daumal, Robert Randall and Simón Rodríguez.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47573958033738,"sku":"","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/512lNgtDXwL._AC_UF1000_1000_QL80.jpg?v=1707766306"},{"product_id":"el-cumpleanos-de-juan-angel-juan-angel-s-birthday","title":"El cumpleaños de Juan Ángel \/ Juan Ángel’s Birthday","description":"\u003cp\u003eMario Benedetti (trans. Adam Feinstein)\u003c\/p\u003e\n\u003cp\u003eBenedetti's renowned, experimental novella in verse—published in a new annotated, bilingual edition by Tenement Press—with an afterword by translator, Adam Feinstein.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47730915115338,"sku":"","price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1710521562-900.jpg?v=1722076625"},{"product_id":"outside-texts","title":"Outside Texts","description":"\u003cp\u003e\u003cspan class=\"productPageHeader__author\" data-mce-fragment=\"1\"\u003eEleonora Requena\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e (trans. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eGuillermo Parra)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eTextos por fuera\u003c\/em\u003e\u003cspan\u003e \/ \u003c\/span\u003e\u003cem\u003eOutside Texts\u003c\/em\u003e\u003cspan\u003e is a collection of poems that question themselves, the Spanish language, the poetic self, and the author’s personal geographies within and beyond Venezuela and Argentina. Animating the texts in this book is the experience of exile and migration in response to a collapsing nation and its dramatic, ongoing crisis. These poems seek spaces to exist outside (and within) the everyday self and beyond the poem as a fixed creation.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47869733011786,"sku":"","price":12.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/outside-texts-652x1024.jpg?v=1727277524"},{"product_id":"lunduzinho","title":"lunduzinho","description":"\u003cp\u003etatiana nascimento (trans. Natália Alfonso)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003elunduzinho\u003c\/em\u003e\u003cspan\u003e is a bilingual chapbook of selected poems by Brazilian poet tatiana nascimento, translated by Natália Affonso. This selection is meant as a celebration of tatiana’s acclaimed \u003c\/span\u003e\u003cem\u003eLundu\u003c\/em\u003e\u003cspan\u003e (2016) and of her Afro-brazilian, sexual dissident, silence and sea-led poetic craft. “Lundu” is an iteration of music and dance brought to what is now Brazil by enslaved Bantu people. Through her elaborate syntax, bending and breaking standard Brazilian Portuguese, nascimento threads the complexities of the formation of Brazil and the uncapturable African ancestrality of lundu. She creates neologisms and uses elements of Pretuguês (Black Portuguese), Spanish, English, pajubá (an Afro, Indigenous, Cuír Brazilian dialect), and Afro-Brazilian cosmologies to conjure poetry that is deeply rhythmical, spiritual and ancestral. \u003c\/span\u003e\u003cem\u003elunduzinho\u003c\/em\u003e\u003cspan\u003e presents us with the contradictions of big urban centers and how Black, queer bodies move across those landscapes. A sea of transnational, Afro-diasporic, sexual dissident affection in the ebb and flow between original and translation, and all the tongues in between.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47869735993674,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/lunduzinho-652x1024.jpg?v=1717590936"},{"product_id":"made-of-dream","title":"Made of Dream","description":"\u003cdiv class=\"productPageHeader\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"productPageHeader__authors\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"productPageHeader__author\" data-mce-fragment=\"1\"\u003eStephanie Borges\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e (trans. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLivia Azevedo Lima)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productPricing\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"productPricing\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eIn a short collection of poems about dreams, Stephanie Borges observes how images and language can create experiences of freedom for Black women. In her verses, individual and collective experiences are evoked by voices that dissolve and blur the boundaries of the self. The tension between body and language emerges among the many possible meanings of a dream. As an element of waking life, imagination blends with daily tasks, because a dream is also something that demands work, dedication and choices, just like writing.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47869742154058,"sku":"","price":12.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1696971038-900.jpg?v=1717592138"},{"product_id":"dear-parent-or-guardian","title":"dear parent or guardian","description":"\u003cdiv class=\"productPageHeader\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"productPageHeader__authors\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"productPageHeader__author\" data-mce-fragment=\"1\"\u003eIsadoro Saturno (trans.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eE.R. Pulgar)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productPageHeader__authors\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"productPageHeader__authors\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eA body that is just beginning to define itself discovers the insufficiency of imposed language, and even though it rebels and implodes, the machinery it opposes is a shadow that extends itself, an inescapable question and—ultimately—a condemnation. In \u003c\/span\u003e\u003ci\u003e\u003cspan\u003edear parent or guardian\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, the poet proposes a rupture with the agreement of gendered language through the transcription of memory, revealing the injustice of the norm. They who sprint freely in sweltering heat deserve to be a ninja turtle, nothing else.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productPricing\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"productPricing\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eIsadoro Saturno\u003cspan\u003e (Barquisimeto, Venezuela, 1987) is a poet, editor, and children’s book writer living in Atlanta. In 2018, he published his first children’s book \u003c\/span\u003e\u003cem\u003eConejo y Conejo\u003c\/em\u003e\u003cspan\u003e with Ediciones Ekaré, which won the Banco del Libro prize for Best Children and Young Adult book. His poems have appeared in various anthologies including PROVEA’s \u003c\/span\u003e\u003cem\u003ePoesía contra la opresión (1920–2018).\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productPricing\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47869745660234,"sku":"","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Dear-Parent-or-Guardian_SCAN-683x1024.jpg?v=1727276926"},{"product_id":"self-portrait-in-the-zone-of-silence","title":"Self-Portrait in the Zone of Silence","description":"\u003cp\u003eHomero Aridjis\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eSelf-Portrait in the Zone of Silence\u003c\/em\u003e, \u003c\/span\u003e\u003cspan\u003e by the renowned Mexican writer Homero Aridjis, is a brilliant collection of poems written in and for the new century\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e. \u003c\/span\u003e\u003cspan\u003eAridjis seeks spiritual transformation through encounters with mythical animals, family ghosts, migrant workers, Mexico's oppressed, female saints, other writers (such as Jorge Luis Borges and Philip Lamantia), and naked angels in the metro. We find tributes to Goya and Heraclitus, denunciations of drug traffickers and political figureheads, and unforgettable imaginary landscapes. As Aridjis himself writes: \"a poem is like a door \/ we've never passed through...\" And now past eighty, Aridjis reflects on the past and ponders the future. \"Surrounded by light and the warbling of birds,\" he writes, \"I live in a state of poetry, because for me, being and making poetry are the same.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47892301185354,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/61340202.jpg?v=1713611870"},{"product_id":"vice-royal-ties","title":"Vice-royal-ties","description":"\u003cp\u003eJulia Wong Kcomt\u003c\/p\u003e\n\u003cp\u003eThe title of \u003cem\u003eBi-rey-nato\u003c\/em\u003e, Julia Wong Kcomt’s sixth poetry collection, is a homonym for “virreinato” or “viceroyalty,” but can also be broken down into its component words: “bi” (bi\/two), “rey” (king), and “nato” (born). Likewise, the poems in this chapbook play with binaries: in power, love, language, country, identity. The salt in the air of seaside Lima, the setting of the first section, condenses into the salt that trails through the second section, set mostly in Argentina.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47897044091210,"sku":"","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1688189290-900.jpg?v=1730471055"},{"product_id":"horses-drawn-with-blue-chalk","title":"Horses Drawn with Blue Chalk","description":"\u003cp\u003eRocío Ágreda Piérola\u003c\/p\u003e\n\u003cp\u003eThe work of the philosopher-poet Rocío Ágreda Piérola is full of ghostly traces, smudged lines from the past turned with care into new forms through references to writers like Héctor Viel Temperley and Dante, rewritings of Biblical verses, redraftings of personal memory, and forays into history with the Spanish conquistadors. In Horses Drawn with Blue Chalk, Ágreda Piérola’s sensuous language is populated by animals (hyenas, wolves, birds, cats, shoals of fish), parts of the body (the tongue, the nervous system), and the physical stuff of childhood (those horses drawn with blue chalk, erased from the wall yet forever archived in memory, to be drawn and redrawn). The questions here of how to create meaning from solitude and silence do not rely on any facile premade identities or autobiographical intimacies, but seek constantly to unsettle the known, challenging given truths to forge a meaningful communication.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47897044648266,"sku":"","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1688189280-900.jpg?v=1730470986"},{"product_id":"defense-of-the-idol","title":"Defense of the Idol","description":"\u003cp\u003eOmar Cáceres (trans. Mónica de la Torre)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBranded a “poète maudit” for the cryptic circumstances surrounding his life and death, Omar Cáceres once tried to destroy all copies of his one and only book. The myth around him survived thanks to the inclusion of fifteen poems from \u003c\/span\u003e\u003cem\u003eDefense of the Idol\u003c\/em\u003e\u003cspan\u003e in the groundbreaking anthology \u003c\/span\u003e\u003cem\u003eAntología de poesía chilena nueva\u003c\/em\u003e\u003cspan\u003e from 1935. Presented here for the first time in English translation, along with the sole foreword Vicente Huidobro ever wrote for a poet, the poems of Cáceres possess a ghostly, metaphysical energy combined with modern-age imagery: bows pulsate, moons hurtle, rains sing, trees drag their shadows in drunk stupors, winds break the sky open. But the interior life of the poet assumes dominance, interrogated through anguished, turbulent dreamscapes of language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eOmar Cáceres (1904–1943) was a cult poet in the Chilean avant-garde. He published one book of poetry, \u003cem\u003eDefense of the Idol\u003c\/em\u003e (1934), with an introduction by Vicente Huidobro, of which only two copies survived after Cáceres tried to burn the entire print run upon publication due to the edition’s numerous typos. He had ties with the Communist Party, and according to poet Jorge Teillier, played the violin in an orchestra of the blind. He was murdered by unknown assailants in 1943.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47950703296842,"sku":"","price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/91EV-uzYJLL._AC_UF894_1000_QL80.jpg?v=1717687322"},{"product_id":"inri","title":"INRI","description":"\u003cp\u003eRaúl Zurita (trans. William Rowe)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRaúl Zurita’s \u003c\/span\u003e\u003cem\u003eINRI\u003c\/em\u003e\u003cspan\u003e is a visionary response to the atrocities committed under the dictatorship of General Augusto Pinochet. In this deeply moving elegy for the dead, the whole of Chile, with its snow-covered cordilleras and fields of wildflowers, its empty spaces and the sparkling sea beyond, is simultaneously transformed into the grave of its lost children and their living and risen body. Zurita’s incantatory, unapologetically political work is one of the great prophetic poems of our new century.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":48062935236938,"sku":"","price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/INRI_Cover_Page_1.jpg?v=1717499697"},{"product_id":"hallucinated-city","title":"Hallucinated City","description":"\u003cp\u003eMário de Andrade (trans. Jack E. Tomlins)\u003c\/p\u003e\n\u003cp\u003eOften hailed as the “Bible” of Brazilian modernism, Mário de Andrade’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePaulicéia Desvairada\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eHallucinated City\u003c\/em\u003e) weaves together threads from French symbolist poetry, German expressionist painting, and musicology into a whirring tapestry of his beloved city of São Paulo, and answer and affront to the strains of Futurism so omnipresent at the time. It is reprinted here in the seminal translation of the late scholar Jack E. Tomlins.\u003c\/p\u003e\n\u003cp\u003eMário de Andrade\u003cspan\u003e \u003c\/span\u003e(Oct. 9, 1893–Feb. 25, 1945) was a poet, novelist, critic, musician, photographer, etc., and arguably the most important figure in Brazilian modernism. He lived almost his entire life in São Paulo, where he played a central role in shaping the avant-garde sensibilities of nearly every field of Brazilian art.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":48623902851402,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1664825308.jpg?v=1723640850"},{"product_id":"deer-book-libre-venado","title":"Deer Book \/ Libre Venado","description":"\u003cp\u003eCecilia Vicuña\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInspired initially by Jerome Rothenberg’s translation \u003c\/span\u003e\u003cem\u003eFlower World Variations\u003c\/em\u003e\u003cspan\u003e, which Cecilia Vicuña first encountered in 1985, \u003c\/span\u003e\u003cem\u003eDeer Book \u003c\/em\u003e\u003cspan\u003ebrings together nearly forty years of the artist’s poetry, “poethical” translations, and drawings related to cosmologies and mythologies surrounding the deer, and sacrificial dance in cultures around the world. Woven like one of her quipu installations, Vicuña’s texts—which include original compositions in Spanish as well as English translations by Daniel Borzutzky—become meditations on translation, not just of the sacred nature of this animal but on how our understandings of ceremony and ritual are transformed, by this ongoing process. Taken as inspiration rather than conundrum, the impossibility of translation opens up poetic possibilities for Vicuña as she continues her lifelong exploration into the nature of communication across eras and distant lands, languages and shared symbols within Indigenous spiritualities. \u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":48878527316298,"sku":"","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/81dP4e7jX8L._AC_UF894_1000_QL80.jpg?v=1721481874"},{"product_id":"the-territory-is-not-the-map","title":"The Territory Is Not the Map","description":"\u003cp\u003eMarília Garcia (trans. 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