{"title":"Mop Mop \u0026 More","description":"","products":[{"product_id":"mop-mop","title":"Mop Mop #1","description":"\u003cem data-mce-fragment=\"1\"\u003eMop Mop\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is een meertalig tijdschrift van Uitgeverij Perdu, met als doel om poëzie te verspreiden buiten het systeem van carrières, blurbs en prijzen. De eerste editie, geredigeerd door Cato van Schaik en Phil Baber, bevat poëzie in het Nederlands en Engels van Amy De’Ath, Anne Vegter, Astrid Alben, Maria Barnas, Michael Tedja, Peter Manson, Ryan Dobran, en Verity Spott. Het tijdschrift is ontworpen door Rietlanden Women’s Office. Voor deze eerste editie van \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMop Mop\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e werkten zij met materiaal uit het archief van Perdu en hebben ze dit opgenomen in hun unieke ontwerp. Van deze eerste \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMop Mop\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e editie zijn 200 exemplaren beschikbaar. Het tijdschrift is voor €12,50 te koop in Boekhandel Perdu.\u003c\/span\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43439348875478,"sku":"","price":12.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/mopmop_copy.600x600.jpg?v=1661106321"},{"product_id":"big-data","title":"Big Data","description":"\u003cp\u003eAnne Vegter\u003c\/p\u003e\n\u003cp\u003eBaby’s en biggen, lange lijnen en open ruimtes: deze nieuwe bundel van de voormalig Dichter des Vaderlands bevat big data! Een explosieve verzameling nullen en enen die het verhaal vertelt van pijn en woede, maar in een vorm die chaos verheldert en uitzichten biedt – ‘ik zeg het niet graag, maar de zee is eerlijk’.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eVegters poëzie wikt, weegt en mikt. Persoonlijke gedichten worden geplaatst tegenover een lange tekst over de Europese reis van de Zuid-Afrikaanse Ingrid Jonker. Taal verbindt het energieke met het angstige, het speelse met het pijnlijk snijdende. \u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43676401991894,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/55371103.jpg?v=1666457273"},{"product_id":"diamant-zonder-r","title":"Diamant zonder r","description":"\u003cp\u003eMaria Barnas\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eIk zeg niet dat ik Pools ben\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eal is het maar van de grond tot de knie\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ezoals mijn moeder tot haar navel\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003enooit zegt dat ze Pools is zoals mijn oma\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ehaar Pools-Duitse accent ontkent.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eIk zeg niet dat ik Engels ben\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ealleen omdat ik een kind was op het eiland\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003edat zich steeds verder terugtrekt\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eheimwee een hammock\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ewaar ik niet meer in pas.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003e[…]\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eIk zeg niet dat alleen mleko klokkend\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eop mijn tong mijn keel verklikt\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eje kunt erin schommelen tot de sickness\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eeen schip loswrikt dat wacht! niet\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eop mij wacht\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43676402385110,"sku":"","price":19.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/Barnas-Diamant-zonder-r-hres-scaled.jpg?v=1667391752"},{"product_id":"who-is-mary-sue","title":"Who is Mary Sue?","description":"\u003cp\u003eSophie Collins\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn the language of fan fiction, a 'Mary Sue' is an idealised and implausibly flawless character: a female archetype that can infuriate audiences for its perceived narcissism. Such is the setting for this brilliant and important debut by Sophie Collins. In a series of verse and prose collages, \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eWho Is Mary Sue?\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e exposes the presumptive politics behind writing and readership: the idea that men \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003einvent\u003c\/span\u003e\u003cspan\u003e while women \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003ereflect\u003c\/span\u003e\u003cspan\u003e; that a man writes of the world outside while a woman will turn to the interior.\u003cbr\u003e\u003cbr\u003ePart poetry and part reportage, at once playful and sincere, these fictive-factive miniatures deploy original writing and extant quotation in a mode of pure invention. In so doing, they lift up and lay down a revealing sequence of masks and mirrors that disturb the reflection of authority. A work of captivation and correction, this is a book that will resonate with anyone concerned with identity, shame, gender, trauma, composition and culture: everyone, in other words, who wishes to live openly and think fearlessly in the modern world. \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eWho Is Mary Sue?\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a work for our times and a question for our age: it is a handbook for all those willing to reimagine prescriptive notions of identity and selfhood.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43751265894614,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/37539463.jpg?v=1666868928"},{"product_id":"small-white-monkeys","title":"small white monkeys","description":"\u003cp\u003eSophie Collins\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003esmall white monkeys\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a fragmented essay, including poems and images, on self-expression, self-help and shame. Beginning with the image of the small white monkeys, the text examines the Collins's relationship with shame through a series of short studies on, amongst other things, cats, hair as a metonym for the self in poetry and fiction, and perceptions of sexual violence. \u003c\/p\u003e\n\u003cp\u003eMade through research into Glasgow Women’s Library’s Archive Collections and Lending Library,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003esmall white monkeys\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eincorporates material from the library’s archives and the work of female creators past and present, including Anna Mendelssohn, Jean Rhys, Selima Hill, Adrian Piper, June Jordan, Denise Riley, Carolee Schneemann, Vahni Capildeo and Veronica Forrest-Thomson.\u003c\/p\u003e\n\u003cp\u003eSophie Collins grew up in North Holland and now lives in Edinburgh. This new second edition features an introduction by Helen Charman. \u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43751328350422,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/swm-cover-print-second-edition_corrected-1-681x1024.jpg?v=1666869752"},{"product_id":"subsisters","title":"Subsisters","description":"\u003cp\u003eUljana Wolf, translated by Sophie Seita\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"This bi-floral or even tri-floral book of poems is for falselandy neighbouring nearspeakers who prefer to hold ear to phoneme to wit. Arranged according to the pleasures of a collaborative conversation between co-translating poets, sinuous between the structured palate and the muscular tongue, \u003cem\u003eSubsisters\u003c\/em\u003e coheres by means of a joyous principle of augmentation. Wolf and Seita have rendered authority moot; Value here is chosen conviviality. Lightness, charm and play clarify the discovery that all language is polylingual, all worth in shared joy only.\" – Lisa Robertson\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43751366262998,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/A1y1yKfElGL.jpg?v=1667394012"},{"product_id":"poems-of-frank-rupture","title":"Poems of Frank Rupture","description":"\u003cp\u003ePeter Manson\u003c\/p\u003e\n\u003cp\u003e“It’s typical of the narrative persona conveyed in much of Peter Manson’s previous work that “The Baffle Stage”, the second of the \u003cem\u003ePoems of Frank Rupture\u003c\/em\u003e, should offer a kind of pre-emptive piss-take of the compositional techniques underpinning the collection’s subsequent and most significant piece, “Sourdough Mutation”, defined as it is by verbal shuffling of the “rack\/lack\/cack” variety (though far more myriad and pleasurable).[...] On the one hand, the formal invention of this poetry occasionally seems powered by a veritable dynamo of masochism; on the other, and not unrelatedly, it’s often hilarious.[...] This is what “Sourdough Mutation” feels like to read: like someone has extracted the hypnagogic voices from your supine head and played them back to you, algorithmically shuffled into pleasing patterns of sound and shape. 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The compositional logic may in essence be a logic of self-punishment – “I am a stupid cunt” – but embraced and played out in language, it yields a childlike, celestial play: a constellation of cupid stunts.”\u003cbr\u003e- Greg Thomas\u003c\/p\u003e\n\u003cp\u003e“The case of Peter Manson provides another handy example of canonical speciousness.[...] If we expect our poets to write out of an experientially defined self, to ‘find their voice’, and take the assault course of form by cranking out the odd villanelle, then Manson can only baffle and disappoint. Expecting him to do these things, however, I would suggest, is no more meaningful than expecting Webern to write ‘Yankee Doodle Dandy’. [... This] poetry is thrillingly of the present moment, and pregnant with possibility for anyone who cares to absorb it. I have seen the future and it (still) works.\"\u003cbr\u003e- David Wheatley\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43751370195158,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/23559706.jpg?v=1667215285"},{"product_id":"klein-dood-konijn","title":"Klein dood konijn","description":"\u003cp\u003eAstrid Alben\u003c\/p\u003e\n\u003cp\u003eTijdens de lockdown werkten dichter Astrid Alben en vormgever Zigmunds Lapsa nauw samen aan \u003cem\u003eKlein dood konijn, \u003c\/em\u003eeen hartverscheurend en sprookjesachtig gedicht over een konijn dat de dichter tijdens een wandeling in een berm zag liggen. Ogenschijnlijk een gedicht over sterven en de dood, het lijkje is tevens het beginpunt voor een zoektocht naar levensvreugde. 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Op de valreep kocht Maarten van der Graaff er oude pamfletten, studies en tijdschriften, uit interesse in de politieke taal uit de jaren zeventig, tachtig en negentig. Van der Graaff ging op zoek naar de verhalen die we vertellen om een ingewikkelde vraag te beantwoorden: wat is Nederland?\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFlarden van liedjes, historische teksten, interviews, gedichten en beleidsdocumenten komen samen in deze bundel, om in een gelaagd document de vele mogelijke antwoorden op die vraag bloot te leggen. Tegelijkertijd stuitte hij op de verbrokkelde geschiedenis van de eigen seksualiteit, die in de gedichten sloop. 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At the same time, there is yet something about Dobran’s clear-eyed view out onto the actual existing world that bestows a kind of proleptic clarity on the Skinner box of the present: the poetic defamiliarization at play is not the techno-stunned alienation of modernism but something older and more stoic, comic, or forgiving, not didactic and yet in its composure quietly instructive.\u003c\/p\u003e\n\u003cp class=\"font-11em AlignLeft\"\u003e\u003cem\u003eOld Business\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a well-turned full-length debut comprising three chapbook-length poems that have previously seen only limited release by small presses in the UK —\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStory One\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Meritocrat\u003c\/em\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Last Shyness\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e— along with a suite of poems published here for the first time.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46872372871498,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9780999431337.jpg?v=1700168368"},{"product_id":"force-of-nature","title":"Not a Force of Nature","description":"\u003cp\u003eAmy De'Ath\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'If capital makes life a seething, complex nightmare for most people on the planet's surface, if \"words do cleave the producer from the land,\" then what does all this dispossession feel like? Amy De'Ath turns poetry into a hot, potent, and highly funny form of criticism, in which social force is felt intimately, and voiced in the acid niceness of a work email. Amy's poems move like pieces of machinery in a cognitive amusement park, which spit you a thousand feet into the air but keep your viewpoint fixed on the same spot as before—what's different? \"Land in Saskatchewan, land in Delhi,\" or \"everything…that you want from women and gays.\" \u003cem\u003eNot a Force of Nature\u003c\/em\u003e makes me want to change everything. \"Behold me I'm you now,\" Amy writes—we should be so lucky, to be thus transformed.' – Kay Gabriel\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46872639701322,"sku":"","price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1717531838-900.jpg?v=1721317175"},{"product_id":"kochanie-today-i-bought-bread","title":"kochanie, today i bought bread","description":"\u003cp\u003eUljana Wolf (trans. Valzhyna Mort)\u003c\/p\u003e\n\u003cp\u003eThe lyrical, imaginatively-crafted debut collection by one of Germany's most important contemporary poets explores the 'shifting of the mouth' toward the other, toward translation, toward a reckoning with historical silences.\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003ekochanie, today i bought bread\u003c\/em\u003e, Uljana Wolf crosses borders from East Germany into Poland, from fairy tales to the tallying of land torn by fateful past, from women’s voices “hibernating in documents,” to Lavinia’s spilling forth of red language. Hailed by critics for its “brief strokes that open up a wide historical space in which political doom is still present,” this book is a testament that the cartography we inherit is equal parts limit and dare. Wolf’s debut collection won the Peter Huchel Prize in 2006—she was its youngest recipient. Nearly 20 years later, this bilingual edition—featuring a new introduction by Valzhyna Mort and Greg Nissan’s superbly-tuned translation—invites English-language readers into the “guest room” of poetry.\u003c\/p\u003e\n\u003cp\u003e'\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUljana Wolf’s first book begins with pain, a hospital, with a daughter who rebels against the controlling word of the fathers. But it goes farther. Its mouth shifts, playfully inventive, though with a dark undertone of Polish-German history, to find bread in language. Then even a mattress becomes translatable and everything connects ‘in this border trade \/ on my tongue.' – Rosmarie Waldrop\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47286132113738,"sku":"","price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9781954218154.jpg?v=1699526812"},{"product_id":"self-avoiding-space-filling-curve","title":"self-avoiding space-filling curve","description":"Peter Manson","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47522882683210,"sku":"","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9F18781E-3098-4F31-BE1A-D6D156E652B0.jpg?v=1706075560"},{"product_id":"left-freedom","title":"LEFT FREEDOM","description":"\u003cp\u003eLisa Jeschke\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eLEFT FREEDOM\u003c\/em\u003e is made up of six poems in English, translated by the author, who writes: These poems are part of a larger sequence in German under the working title of \u003c\/span\u003e\u003ci\u003eBeschreibung der FDP\u003c\/i\u003e\u003cspan\u003e (Description of the Free Democratic Party). They build a universe of recursive figures (e.g. FDP party agents; robot humans as cyborg\/worker-like figures of unclear genders) and ever-expanding lines and explanations. Everything is as static as the FRG and as dynamic as capitalism. The poems are trapped.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e  Don’t look for me, don’t help me, don’t save me\u003cbr\u003e  Don’t pick me up\u003cbr\u003e  I care for my abyss, hard\u003cbr\u003e  This abyss which is yours\u003cbr\u003e  And I don’t long for return\u003cbr\u003e  And Germany is not the universe \/ and there is no universe\u003cbr\u003e  Am – a little robot flower?\u003cbr\u003e  I’m humming from pain\u003cbr\u003e  Pain\u003cbr\u003e  That you only dream of.\u003cbr\u003e\u003c\/i\u003e    —from \"Anonymous Well-Pruned Abyss\"\u003c\/p\u003e\n\u003cp\u003e300 copies printed March 2024\u003c\/p\u003e\n\u003c!----\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":48888331239754,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/LF-cover1.jpg?v=1721478815"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/collections\/shopify_banner.png?v=1685546721","url":"https:\/\/boekhandelperdu.nl\/collections\/mop-mop-more.oembed","provider":"Boekhandel Perdu","version":"1.0","type":"link"}