{"title":"Brazilian","description":"","products":[{"product_id":"het-verzamelde-lichaam","title":"The Collected Body","description":"\u003cp\u003eRichard Domeneck\u003c\/p\u003e\n\n\u003cp\u003e In \u003cem\u003eThe Collected Body\u003c\/em\u003e , Ricardo Domeneck draws a cartography of desires. To the bodies of the lovers next to whom the poet wakes up in the morning, the pleasure of language and translation, and to another Brazil, a country in revolt that the poet wants to rebuild. His nimble poems connect history and philosophy with everyday life, poetry with pop and the personal with the political, blurring the boundaries between language, world and body.\u003cbr\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":43750940344534,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/products\/IMG_7424.jpg?v=1666869284"},{"product_id":"galaxias","title":"galáxias","description":"\u003cp\u003eHaroldo de Campos (trans. Odile Cisneros)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBegun in 1963 and only published in its final form in 1984, \u003cem\u003egaláxias\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e is a \u003c\/span\u003e\u003ci\u003e\u003cspan\u003esui generis\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e work. As Haroldo de Campos himself wrote: “An audiovideotext, a videotextgame, the \u003cem\u003egaláxias\u003c\/em\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003esituate themselves on the border between prose and poetry. In this kaleidoscopic book, there’s an epic, narrative gesture—mini-stories that come together and dissolve like the ‘suspense’ of a detective novel … but the image remains, the vision or calling of the epiphanic.” A series of 50 “galactic cantos”—in homage to both Dante and Pound—de Campos likewise follows James Joyce’s cue in conceiving of \u003cem\u003egaláxias\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e as a “defense and illustration” of the Portuguese language and its poetic possibilities. The text incorporates literary allusion, citation, and words and phrases in at least a dozen languages, making \u003cem\u003egaláxias\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e a formidable experiment in polyglot poetry. \u003cem\u003egaláxias\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e charts the literal and literary journeys de Campos undertook from the early 1950s on. Arguably his chief poetic accomplishment, \u003cem\u003egaláxias\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e is also a landmark in world avant-garde poetics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e'Haroldo de Campos’s epic and epiphanic\u003cspan\u003e \u003c\/span\u003e\u003cem\u003egaláxias\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efinds the poetic in prose and the narrative in poetry, demonstrating again why he was one of the liveliest and most original poets of his generation in Brazil or elsewhere. Like 100 mini-kaleidoscopes, or travel stories, or “videotextgames,” to echo de Campos,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003egaláxias\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eanticipates the best of our current social media world but with an unmatched vision and verve.' – John Keene\u003c\/p\u003e\n\u003c!----\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47119332311370,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Galaxias_8Sep2023.jpg?v=1695302269"},{"product_id":"secret-poetics-1","title":"Secret Poetics","description":"\u003cp\u003eHélio Oiticica\u003c\/p\u003e\n\u003cp\u003eHélio Oiticica (1937-80) is widely considered one of Brazil's most significant artists, and his influence is felt across a range of disciplines including painting, film, installation and participatory art. He is well known as a key founder of the interdisciplinary movement known as Neoconcretismo, launched in Rio de Janeiro in 1959 with the collaboration of artists and writers including Lygia Clark, Lygia Pape and Ferreira Gullar. Between 1964 and 1966, moving out of his Neoconcretist period, Oiticica wrote a series of lyrical poems entitled \"Poética Secreta\" (\u003cem\u003eSecret Poetics\u003c\/em\u003e), and he reflected in a private notebook on their significance for his wider practice as an artist. Despite Oiticica's global fame, his \"secret\" poems are almost unknown and have never been published as a collection. This bilingual edition, with accompanying essays by translator Rebecca Kosick and critic Pedro Erber, uncovers the significance of poetry for Oititica's art and shows its importance to his thinking on participation, sensation and memory.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47183264940362,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Oiticica-Promo-Cover-1.jpg?v=1697550423"},{"product_id":"of-death-minimal-odes","title":"Of Death. Minimal Odes","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHilda Hilst\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIf life is no more than a prolonged flirtation with death, then Hilda Hilst's \u003cem\u003eOf Death. Minimal Odes\u003c\/em\u003e is the true account of a lifelong seduction. It is at once both a reverie and reliquary, as the poet imagines and reimagines that most paradoxical moment of disintegration – the corporeal flesh fusing with death's own dark corpus. With a visceral-mystical poetic voice that is as teasingly unrestrained as it is intellectually sublime, Hilst's odes enact a baroque danse macabre, where the poet revels in the incongruities of simultaneously seeking the sacred and profane. Translating the first collection of Hilda Hilst's significant body of poetry to appear in English, Laura Cescarco Eglin renders the imagery and philosophical complexity of these minimal odes with brio, while preserving the playful tone and lush melodies that mark \u003cmeta charset=\"utf-8\"\u003e \u003cem data-mce-fragment=\"1\"\u003eOf Death. Minimal Odes\u003c\/em\u003e as uniquely Hilstian.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'Before gaining notoriety for her highly original, experimental, and provocative works of fiction, Hilda Hilst engraved her name in Brazilian literary circles as a poet. \u003cmeta charset=\"utf-8\"\u003e \u003cem data-mce-fragment=\"1\"\u003eOf Death. Minimal Odes\u003c\/em\u003e, newly and assuredly translated by Laura Cesarco Eglin, shows Hilst the poet at her distilled best. As much a multimedia conversation with poetry as with life, death, and herself, Hilst poses essential questions whose answers lie at the core of these poems.' – John Keene\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47309410402634,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/51FvzgHK0yL._AC_UF1000_1000_QL80.jpg?v=1700576555"},{"product_id":"lunduzinho","title":"lunduzinho","description":"\u003cp\u003etatiana nascimento (trans. Natália Alfonso)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003elunduzinho\u003c\/em\u003e\u003cspan\u003e is a bilingual chapbook of selected poems by Brazilian poet tatiana nascimento, translated by Natália Affonso. This selection is meant as a celebration of tatiana’s acclaimed \u003c\/span\u003e\u003cem\u003eLundu\u003c\/em\u003e\u003cspan\u003e (2016) and of her Afro-brazilian, sexual dissident, silence and sea-led poetic craft. “Lundu” is an iteration of music and dance brought to what is now Brazil by enslaved Bantu people. Through her elaborate syntax, bending and breaking standard Brazilian Portuguese, nascimento threads the complexities of the formation of Brazil and the uncapturable African ancestrality of lundu. She creates neologisms and uses elements of Pretuguês (Black Portuguese), Spanish, English, pajubá (an Afro, Indigenous, Cuír Brazilian dialect), and Afro-Brazilian cosmologies to conjure poetry that is deeply rhythmical, spiritual and ancestral. \u003c\/span\u003e\u003cem\u003elunduzinho\u003c\/em\u003e\u003cspan\u003e presents us with the contradictions of big urban centers and how Black, queer bodies move across those landscapes. A sea of transnational, Afro-diasporic, sexual dissident affection in the ebb and flow between original and translation, and all the tongues in between.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47869735993674,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/lunduzinho-652x1024.jpg?v=1717590936"},{"product_id":"made-of-dream","title":"Made of Dream","description":"\u003cdiv class=\"productPageHeader\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"productPageHeader__authors\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"productPageHeader__author\" data-mce-fragment=\"1\"\u003eStephanie Borges\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e (trans. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLivia Azevedo Lima)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productPricing\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"productPricing\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eIn a short collection of poems about dreams, Stephanie Borges observes how images and language can create experiences of freedom for Black women. In her verses, individual and collective experiences are evoked by voices that dissolve and blur the boundaries of the self. The tension between body and language emerges among the many possible meanings of a dream. As an element of waking life, imagination blends with daily tasks, because a dream is also something that demands work, dedication and choices, just like writing.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47869742154058,"sku":"","price":12.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1696971038-900.jpg?v=1717592138"},{"product_id":"hallucinated-city","title":"Hallucinated City","description":"\u003cp\u003eMário de Andrade (trans. Jack E. Tomlins)\u003c\/p\u003e\n\u003cp\u003eOften hailed as the “Bible” of Brazilian modernism, Mário de Andrade’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePaulicéia Desvairada\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eHallucinated City\u003c\/em\u003e) weaves together threads from French symbolist poetry, German expressionist painting, and musicology into a whirring tapestry of his beloved city of São Paulo, and answer and affront to the strains of Futurism so omnipresent at the time. It is reprinted here in the seminal translation of the late scholar Jack E. Tomlins.\u003c\/p\u003e\n\u003cp\u003eMário de Andrade\u003cspan\u003e \u003c\/span\u003e(Oct. 9, 1893–Feb. 25, 1945) was a poet, novelist, critic, musician, photographer, etc., and arguably the most important figure in Brazilian modernism. He lived almost his entire life in São Paulo, where he played a central role in shaping the avant-garde sensibilities of nearly every field of Brazilian art.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":48623902851402,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1664825308.jpg?v=1723640850"},{"product_id":"the-territory-is-not-the-map","title":"The Territory Is Not the Map","description":"\u003cp\u003eMarília Garcia (trans. Hilary Kaplan)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAirports, backpacks, dictionaries, hemispheres, \u003c\/span\u003e\u003cem\u003eThe Territory Is Not the Map\u003c\/em\u003e\u003cspan\u003e is a journey across Marília Garcia’s poetry. The distance between territory and map, a journey and the language used to write about it, the distance between languages. There is no straight line from one to the other—here there is displacement. Garcia takes on this displacement, exposes it by cutting, pasting, dismantling words; repeating and insisting; making holes in space and time. Images anchor: a pair of green flip-flops beside an airport bench, love as a red raincoat come from another poem. Everything can be a geographic error, an error as a way of being found. Garcia’s writing reverts a map’s usefulness: this is a map to get lost.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eMarília Garcia (Rio de Janeiro, 1979) is the author of \u003cem\u003e20 poemas para o seu walkman\u003c\/em\u003e (2007), \u003cem\u003eEngano geográfico\u003c\/em\u003e (2012), \u003cem\u003eUm teste de resistores\u003c\/em\u003e (2014), and \u003cem\u003eCâmera lenta\u003c\/em\u003e (2017). In 2015, she was a resident at the Cité Internationale des Arts, in Paris, thanks to the support of the Icatu Prize for Arts. Her work has been translated into English, French, Spanish, and Flemish, and she has participated in festivals including Europalia, in Belgium, and Festival Internacional de Poesía de la Ciudad de México. She runs the poetry press Luna Parque Edições and lives in São Paulo.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":48959134204234,"sku":"","price":12.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Territory-Not-Map-Front-Cover_GIANT-652x1024.jpg?v=1727276973"},{"product_id":"first-epistle-to-the-amphibians","title":"First Epistle to the Amphibians","description":"\u003cp\u003eRicardo Domeneck (trans. Chris Daniels)\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"sqsrte-text-color--darkAccent\"\u003eA consummately international poet, acclaimed poet Ricardo Domeneck centers the body “in all its moisture and all its fluids,” while never settling on a master style. Writing with tenderness and anger about earthly experience, friendship, love, and nature, and reacting against the previous generation’s anti-lyrical, impersonal \u003cem\u003epoesia de invenção\u003c\/em\u003e,\u003cem\u003e \u003c\/em\u003eDomeneck introduced a dense corporeal lyricism salted with camp at its high and low limits into contemporary Brazilian experimental poetry. \u003cem\u003eFirst Epistle to the Amphibians\u003c\/em\u003e, the first English-language selection of Domeneck’s poetry, draws from more than two decades of his published work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"sqsrte-text-color--darkAccent\"\u003e'Ricardo Domeneck's extraordinary selected poems attends to the familiar (and funny!) surface of daily life—French cigarettes and a lover's eyelashes and dingy apartments and absent fathers—while plunging into the unknown, into silence, into despair, where language doesn’t so much fail as it rediscovers itself. That's beauty. Domeneck’s poetry speaks ‘loudly and precisely,’ without equivalence. I’m always listening.' — Andrew Durbin\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":53557062631754,"sku":null,"price":27.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1769553307-900.jpg?v=1769611769"},{"product_id":"spotlight-on-the-word","title":"Spotlight on the Word","description":"\u003cp\u003e\u003cspan class=\"productPageHeader__author\"\u003eAstrid Cabral\u003c\/span\u003e\u003cspan\u003e (trans. \u003c\/span\u003e\u003cspan\u003eAlexis Levitin)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn her late-career examination of language, poetry, and song, renowned Brazilian poet and environmentalist Astrid Cabral focuses on the mystery and elusiveness of the very building blocks of her endeavor. \u003cem\u003eSpotlight on the Word\u003c\/em\u003e, Cabral’s third book in English translation, is a far-ranging contemplation of the poet’s endless endeavor to create meaning with the fragile and somehow inadequate material of her craft. For Cabral, what is expressed “knows nothing of who we really are,” and “the word in the head” is a “secret hidden star.” Her exploration of the writer’s relationship to language leads to reverent reflections on silence—what Keats might have been intimating with “negative capability” or painters with their “negative space”—suggesting an acceptance of the paradoxical nature of words which both define and limit, which sometimes blossom, but often do not fly. It is a writer’s testament to both her love and frustration in the eternal struggle to wrest from silence an inkling of meaning through the medium of the word.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":60964702028106,"sku":null,"price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1769606273-900.jpg?v=1769611273"}],"url":"https:\/\/boekhandelperdu.nl\/en\/collections\/brazilian.oembed","provider":"Boekhandel Perdu","version":"1.0","type":"link"}