{"title":"Futurepoem","description":"","products":[{"product_id":"transverse","title":"Transverse","description":"\u003cp\u003eLindsay\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTransverse\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eweaves between languages and forms, cultivating the questions and lacunae that emerge in their encounter. In the three parts that make up the book, music, mathematics, philosophical logic, and lyric convention come in and out of relation to press upon questions of form and meaning-making, and attend to the moments when coherence appears to take place or dissolve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e'Language is never static; it flows. And as it flows it effects changes. Meaning undergoes metamorphosis, significance shifts. The message mutates; it decays, is erased, or it escapes. All of this is obviously true of literary translations, but it is true more generally of the language of poetry and therefore of poetry itself. Both desperately philosophical and tenderly present, 최 Lindsay in the writing of their book-length \u003cem\u003eTransverse\u003c\/em\u003e recognizes language as both limit and threshold, impasse and passage. As the poetry unfolds, a reality comes into being. And that reality is, in turn, a realm of existence from which the language of the poetry can speak, however indirectly, to us, the readers of the book. An inevitably indirect, incomplete and yet excessive communication transpires, one that can’t help but reveal an incomplete and yet overflowing existence. One might term it a realm of the ghostly sublime, but it’s a realm of social and physical materiality, too, requiring both linguistic invention and answerability. There are few poets capable of rendering difficult and complex thinking into a work of rigorous and exquisite beauty, but this is exactly what 최 Lindsay has done. \u003cem\u003eTransverse\u003c\/em\u003e is magnificent.\u003cbr\u003e—Lyn Hejinian\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46842307019082,"sku":"","price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/transverse-cover.jpg?v=1687201537"},{"product_id":"myother-tongue","title":"MyOTHER TONGUE","description":"\u003cp\u003eRosa Alcalá\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHere are poems that reckon with the histories of family, generations, language and love: how our tongues are mothered or not, how we are given to and abandoned. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlcalá read from the book at UC Berkeley's Lunch Poems series, a recording of which \u003ca href=\"https:\/\/www.youtube.com\/watch?v=LV4YStoxa0c\u0026amp;amp;ab_channel=UCBerkeleyEvents\" target=\"_blank\"\u003eis online\u003c\/a\u003e. \u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46902004973898,"sku":"","price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9780996002554.jpg?v=1688816301"},{"product_id":"making-water","title":"Making Water","description":"\u003cp\u003eLaura Jaramillo\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'Laura Jaramillo’s \u003cem\u003eMaking Water\u003c\/em\u003e unpacks a lovely liquid landscape shot through with the promise of violence. How can you know anything in a world of permeable boundaries, where even time moves like water, or is it blood? How can you know anything where “we are dislocations \/ incidentally cut \/ with experience?” Where you become aware of something only as it \u0026amp; you become something else that disappears? In \u003cem\u003eMaking Water\u003c\/em\u003e, Jaramillo shows all this becoming demands an ethics. For instance, you have to be against border enforcement. The going is hard, but when it’s also beautiful, “[l]ight scatters through the canopy as a disco ball throws light.”'\u003c\/span\u003e\u003cspan\u003e— Wendy Trevino\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLaura Jaramillo is a poet and critic from Queens, New York living in Durham, North Carolina.\u003c\/span\u003e\u003cspan\u003e She holds a PhD in critical theory from Duke University. She co-runs the North Carolina-based reading and performance series Paradiso.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":46930808799562,"sku":"","price":22.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/making_water.jpg?v=1689768817"},{"product_id":"a-reaction-to-someone-coming-in","title":"A Reaction to Someone Coming In","description":"\u003cp\u003eWendy Lotterman\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'Wendy Lotterman is a scientist of feeling, here presenting discoveries with surgical precision. If it's true that \"no good thing can be saved from a three-legged relay with the bad,\" then what forms the third leg? Maybe it's these cool, discomfiting lines, which invent a canny language for a \"weird, denuded universe\" where \"the event postdates the mood it turned into.\" The lyric mode of \u003c\/span\u003e\u003cem\u003eA Reaction to Someone Coming In\u003c\/em\u003e\u003cspan\u003e is intimate like an appendectomy is intimate, only your ex and your mom are watching, which definitely makes it better, even exquisite.' \u003c\/span\u003e\u003cspan\u003e– Kay Gabriel\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47183199011146,"sku":"","price":22.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9781733038492.jpg?v=1698253149"},{"product_id":"autobiography-of-a-language","title":"The Autobiography of a Language","description":"\u003cp\u003eMirene Arsanios\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'Mirene Arsanios’s finely sculpted prose is fiercely situated. With devastating candor, it draws us into a thinking process that lays bare some crucial articulations of the present: the transactional nature of care, the relation between language and sex, the space between mourning and giving birth, what class does to the body, and what grammar is unable to accommodate. Between remembrance and dreamwork, every passage brims with exhilarating detail. This is some heady, magical materialism.' –\u003c\/span\u003e\u003cspan\u003e Omar Berrada\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47290192265546,"sku":"","price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9781733038447.jpg?v=1699456419"},{"product_id":"g","title":"G","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEmmalea Russo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'G is a garden and seems simple,' we're told early on in this disarming, charming, and alarming book. With its text cleaved in two across right and left pages, \u003cem\u003eG\u003c\/em\u003e reads like an exchange between garden plots and the gardener's journal--neither of which remains simple or simply wholesome from up close, when you're in the weeds. It's this up-closeness that rewards, transforming an air of levity into an air of suspension, or suspense: who or what is this G, really? (Who or what, finally, isn't?) Russo's writing, a peculiar marriage of compression and splay, embeds a germinal weirdness in the fallow page, and waits. The results are like certain mushrooms fruiting, unassuming to look at but potent with magic: 'a hindrance open.' – Anna Moschovakis\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47309574996298,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/G_emmalea_russo_cover_small_7ec3b5b4-3e96-49cc-947f-6dac0d568199.jpg?v=1699611621"},{"product_id":"the-crisis-of-infinite-worlds","title":"The Crisis of Infinite Worlds","description":"\u003cp\u003eDana Ward\u003c\/p\u003e\n\u003cp\u003e\"For Dana Ward, narrative is no linear journey, but a state of being, where meaning zooms into clarity then retreats, wave upon wave of it, like God bits bursting into life from the vast emptiness of space.... I love how thick this writing is, sublimely claustrophobic yet expansive, like a child's nightmare of scale.\"—Dodie Bellamy\u003c\/p\u003e\n\u003cp\u003e\"Autodidact and knight-errant, Ward often betrays the procedural forms he tries to impose on his labyrinthine ruminations in order to remain faithfully engaged to the traditional task of the post-Romantic poet, an 'ecstatic commingling' of okay-you know and 'starry anaphor.'\"—Tyrone Williams\u003c\/p\u003e\n\u003cp\u003e\"I should write a real blurb with real blurb-like things in it, but \u003cem\u003eTCOIW\u003c\/em\u003e, a kind of lullaby arranging the psychic terrain of my future prosodically, is saving my stupid ass.\"—Anselm Berrigan\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47314948325706,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9780982279885.jpg?v=1700168362"},{"product_id":"in-lieu-of-solutions","title":"In Lieu of Solutions","description":"\u003cp\u003eViolet Spurlock\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"A crash course in 21st-century gender trouble, I have been waiting for a book like this forever, one that I could give to an ex-girlfriend, a secret crush, or a future self. Expansive, layered, unimpeachable, I sort of forgot poems could be like this--giddy, \"prone to dizziness,\" and yes, a little reckless, but mainly in the way that it imagines the ontological realness of having titties while shamelessly flirting with the dialectic.\"--Lara Mimosa Montes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"This stunning debut collection by Violet Spurlock, a poet trained as a philosopher, is a trans ars poetica for our zeitgeist. Via a dazzling array of poetic forms, linguistic permutations, and neologisms Violet gives us an eye into the unresolved yet re-solving conundrum of being trans and a poet. Of transitioning but not transitioning yet. Waiting to transition. Having already transitioned and monitoring the size of one's 'titties'—so that rather than solutions, there is a way to live. A way towards life. A way of life. And the way is through poetry. 'A word was made different in response to a need,' she writes. And every word is spot on.\" — Julian Talamantez Brolaski\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47403309990218,"sku":"","price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9798988943907.jpg?v=1702130138"},{"product_id":"near-at","title":"Near, At","description":"\u003cp\u003eJennifer Soong\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #e80000;\"\u003e\u003cem style=\"color: #000000;\"\u003eNear, At\u003c\/em\u003e\u003cspan style=\"color: #000000;\"\u003e follows the inherent strangeness of one’s consciousness as it observes and comes into contact with the physical world. A sustained exploration of language, capitalism, gender, and nature, \u003c\/span\u003e\u003cem style=\"color: #000000;\"\u003eNear, At\u003c\/em\u003e\u003cspan style=\"color: #000000;\"\u003e traverses and measures the movement of silence against the movement of thought and its pauses. Divided into five parts, each with its own form, and followed by a series of ongoing love poems called \u003c\/span\u003e\u003cem style=\"color: #000000;\"\u003eMY CHRISTOPHER POEMS\u003c\/em\u003e\u003cspan style=\"color: #000000;\"\u003e, this debut collection is slow to assume but quick to adjust. Rooted in both the traditional and the experimental, it asks just how little of ourselves we can be.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":47673562202442,"sku":"","price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9781733038409.jpg?v=1708522844"},{"product_id":"flag","title":"Flag","description":"\u003cp\u003eImani Elizabeth Jackson\u003c\/p\u003e\n\u003cdiv class=\"productDescription\"\u003e\n\u003cp\u003e'\"We are and were a Black family,\" Jackson writes and the dead matter of history hums. In this book of nearly subterranean intensity, I feel the poet hum, and it erodes borders between the poet's mouth and the river's, between forms of matter and states of consciousness. I feel Black life too, in its impossible thickness, and all of this in a beautiful economy of language that seizes without coercion and shapes without chisel. Stark, lush, and streaming, these poems show me how spirit isn't just born, it's made.' – Benjamin Krusling\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":50659060515146,"sku":"","price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1725899018-900.jpg?v=1745493815"},{"product_id":"the-optogram-of-the-mind-is-a-carnation","title":"The Optogram of the Mind Is a Carnation","description":"\u003cdiv class=\"productPageHeader\"\u003e\n\u003cdiv class=\"productPageHeader__authors\"\u003e\u003cspan class=\"productPageHeader__author\"\u003eIsabel Sobral Campos\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productAvailability\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eThe Optogram of the Mind is a Carnation\u003c\/em\u003e is a book length poem-memoir reflecting on Portuguese colonization of African countries and its place within the imperial and colonial forces that have shaped global history for the past 500 years. Drawing on the writings of Amílcar Cabral and others, as well as interviews with family members about life under Salazar’s dictatorship, it weaves together scholarly sources, familial narratives, and memories, exploring nationalistic myths, Portugal’s violent colonial history, and the author’s experiences growing up in the aftermath of the Carnation Revolution.\u003c\/p\u003e\n\u003cp\u003e'This book bears deep look’s all but immediate immersion in deep song. All, but. Not delay, but dawning of withdrawal as song pulls out, but not away, into its other histories. Song can’t get away when you’re in it, drawn with it, deeper into bloom, which is bouquet—dianthic, panthemic, agronomic, revolutionary. There, says Amílcar Cabral, the people are the mountains, “breaking \/ the physical well of internment,” digging vision’s sound and upper regress, showing how to fight in love. With love, Isabel resounds their resolution.' – Fred Moten\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":52701304095050,"sku":null,"price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1748638958-900.jpg?v=1756822391"},{"product_id":"slow-mania","title":"Slow mania","description":"\u003cp\u003eNazareth Hassan\u003c\/p\u003e\n\u003cp\u003e'\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis amazing book reads like a synesthetic performance, the only thing missing is the smell of sweat, of streets, of loss. A book of choreographed pages, scores, movements, image blur, hand-scribbles. The bleak, unsparing texts hidden among the materials turn out to be the record of sudden eruptions, violent street scenes, pick-up scenes, unclear dialogues, insults, self-debasing verbal injuries on repeat. The performers are racialized, sexualized, anonymized “persons,” “meats,” numbers, lovers, passers-by, all caught up in these dangerous yet desperately emotional and triggering dances at the limit. It will leave you raw, spaced-out, both roused and alarmed as though coming out of an intoxicating show, and wanting more.' – Caroline Bergvall\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":53689546801482,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/slow-mania-cover4.jpg?v=1767187731"},{"product_id":"in-order-to-extract-the-memory-it-is-of-course-necessary-to-build-the-room","title":"In Order to Extract the Memory It Is Of Course Necessary to Build the Room","description":"\u003cp\u003e\u003cspan class=\"productPageHeader__author\"\u003eSusana Plotts-Pineda\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"productPageHeader__author\"\u003eThere should be a special name for the kind of rigorous, genre-defying work straddling the future of memory and the past of futurity. Bursting at the seams with lyrical invention and speculative possibilities, In Order to Extract the Memory It Is Of Course Necessary to Build the Room traces connections between empire; the techno-military-industrial complex; vulcanology (here standing in for geopolitics and attempts to control social unrest); museology, and memory studies. —Mónica de la Torre\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":61750664167754,"sku":null,"price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1777499914-900.jpg?v=1780059199"}],"url":"https:\/\/boekhandelperdu.nl\/en\/collections\/futurepoem.oembed","provider":"Boekhandel Perdu","version":"1.0","type":"link"}