{"title":"Featured English titles","description":"","products":[{"product_id":"behind-the-state-capitol","title":"Behind the State Capitol","description":"\u003cp\u003eJohn Wieners\u003c\/p\u003e\n\u003cp\u003eAvailable in print for the first time in 50 years, \u003ci\u003eBehind the State Capitol: Or Cincinnati Pike \u003c\/i\u003ehas long enjoyed cult status. It is the record of a poet whose life has been shattered by poverty, drug addiction, and mental illness. Wieners creates a complex schizo-analysis of language, capitalism, incarceration, and state power, while reflecting on unpopular themes of aging and loneliness in the gay world. It is also a paean for his beloved city of Boston, as he witnessed its destruction by the onerous forces of urban renewal. Considered by many to be his masterpiece, the book was met variously with indifference and outrage when it was published in 1975. In 1982, most remaining copies of the book were destroyed in the arson fire of \u003cem\u003eFag Rag\u003c\/em\u003e\/\u003cem\u003eGood Gay Poets\u003c\/em\u003e offices.\u003cbr\u003e\u003cbr\u003eAlready known as a \"poet’s poet\" from \u003ci\u003eThe Hotel Wentley Poems\u003c\/i\u003e (1958), \u003ci\u003eAce of Pentacles\u003c\/i\u003e (1964), and \u003ci\u003eNerves\u003c\/i\u003e (1970), in 1972 Wieners moved to 44 Joy Street on Boston’s Beacon Hill, where he was involved with anti-war and gay liberation movements, the Beacon Hill Free School, and organizations devoted to the rights of people with mental health conditions. Out of this milieu emerged \u003ci\u003eBehind the State Capitol\u003c\/i\u003e, described by its author as “cinema decoupages; verses, abbreviated prose insights.” The book would be John Wieners’s last major poetical statement. He was forty-one.\u003cbr\u003e\u003cbr\u003eThis facsimile edition contains new afterwords by Wieners’s friend and scholar James Dunn, and the poet’s biographer, Robert Dewhurst.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":49618422169930,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/image_file__21157.jpg?v=1765307814"},{"product_id":"cafes","title":"Cafés","description":"\u003cp\u003eHolly Pester\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWelcome to Cafés! A dream scene to study in. A place to perform at an open mic. A limited paradise with overheads.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhere we can eat sausage cassoulet and not think about work. Where we can meet friends and not think about love. Where we can meet lovers and be too nervous to eat. In Holly Pester’s unique lyric, the café space is rendered as a fantastical structure through which to explore pressurised subjectivities in the shape of a worker, a lover, a friend, an artist, and a researcher.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt a time when conversations around the decline of the commons and third spaces are heightened, Holly’s book is a stylish and political intervention and call for the necessity of a place for eccentrics, poets, employees, and those taking steps towards the rest of their life.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":53608540275018,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/9781804272022.jpg?v=1765903529"},{"product_id":"it-was-like-watching","title":"It Was Like Watching","description":"\u003cp\u003eDanny Hayward\u003c\/p\u003e\n\u003cp\u003eDedicated to one person, written by one another. “Poems written by \/ different poets \/ are my nakedness.”\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":61308551037258,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1773565245-900.jpg?v=1774032612"},{"product_id":"bad-omens","title":"Bad Omens","description":"\u003cp\u003eLuke Roberts\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e‘I often turn to Luke Roberts for ideas. So it’s reassuring to turn to him here and find him looking around too, piecing things together, pulling them up, bringing something back into focus before it’s lost, setting things side by side, recovering days, observing his attention without time’s now ineffective analysis. Keeping track is hard, holding things together is hurting and confusing; I’ll keep turning to him for more. And while I’m here, how excellent to have Book Works and Luke Roberts in the same place!’ – Holly Pester\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":61308553363786,"sku":null,"price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/BW-LukeRoberts-cover-655x1024.jpg?v=1773229165"},{"product_id":"the-book-of-advice","title":"The Book of Advice","description":"\u003cdiv class=\"productPageHeader\"\u003e\n\u003cdiv class=\"productPageHeader__authors\"\u003e\u003cspan class=\"productPageHeader__author\"\u003eGhazal Mosadeq\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"productPageHeader__authors\"\u003e\n\u003cspan class=\"productPageHeader__author\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productPageHeader__authors\"\u003e\n\u003cp\u003e\u003cem\u003eThe Book of Advice\u003c\/em\u003e, an experiment in self-translation, stems from the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eandarznameh\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003etradition of classical Persian literature, a form that moves between verse and prose as it engages invented or familiar sayings and folktales. Originally written in Persian between 2018-2020, the book now speaks in both English and Persian, opening at once from the back and the front, in a voice both distanced and familiar. The vicissitudes of the everyday preoccupy its intimately impersonal speaker as she wrestles with the inadequacy and mobility of language.\u003c\/p\u003e\n\u003cp\u003e'\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWith meticulous and pensive care, Ghazal Mosadeq takes the ethical temperature of the world around her, creating in the process, an almost tangible atmosphere—we can feel the breeze through the open window, smell her days full of rain. Always attentive to the subtlest levels of human interaction, Mosadeq shows a responsibility to others that manages to be both exacting and generous. A gorgeous book unafraid to look at the difficulties inherent in being human and to honor them lovingly.' – Cole Swensen\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":61706701209930,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1776192049-900.jpg?v=1777113858"},{"product_id":"caetano","title":"Caetano","description":"\u003cp\u003eAlexis Almeida\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eImagined as a series of experiments in autobiography,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCaetano\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003einvokes the name of the author’s grandfather to write toward the mystery of family, originals, and their ruptures, breaks, and re-imaginings. Written from distinct positions in time, the poems in this collection think about the (im)possibility of faithful reproduction, the space between an original and its translation, and the moving target of a portrait as it moves through different narrative forms.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'With the intuitive truancy of a child, Alexis Almeida tests autobiography’s boundaries to see what they can hold. \u003c\/span\u003e\u003cem\u003eCaetano\u003c\/em\u003e\u003cspan\u003e includes not just what actually happens, but also: what never happens, what happens only in dreams and fantasies, and also what happens only in these sentences. And what sentences! Structured by the pull between mother and child, writer and world, moving 'in the way of a feeling,' they carry us along with care, dreamy and sweet. 'Who will see the sentence lighting up' Almeida asks. The answer, dear reader, is you! Lucky you!' – Brian Teare\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":61706718609738,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1771956720-900.jpg?v=1777114108"},{"product_id":"winter-night-rabbit-worries","title":"Winter Night Rabbit Worries","description":"\u003cp\u003eYoo Heekyung (trans. Stine An)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWinter Night Rabbit Worries\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis Yoo Heekyung’s fifth poetry collection, published in Korean in 2023. Structured as a series of stories, the book presents narrative and linguistic architectures that dissolve the opposition between those materials that construct the this and the that side of life—past and future, truth and falsehood, memory and fantasy. As readers move from one story to another, they will encounter a dizzying yet tender experience in which the boundaries between self and other unravel, and new stories begin to take shape.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":61706720084298,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1776192092-900.jpg?v=1777114184"},{"product_id":"women-in-concrete-poetry-1959-1979","title":"Women in Concrete Poetry 1959-1979","description":"\u003cp itemprop=\"artist\" class=\"product_editor entry-editor\"\u003eedited by Alex Balgiu and Mónica de la Torre\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWomen in Concrete Poetry: 1959–1979\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis an expansive anthology focused on concrete poetry written by women in the groundbreaking movement’s early history. It features fifty writers and artists from Europe, Japan, Latin America, and the United States selected by editors Alex Balgiu and Mónica de la Torre.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWomen in Concrete Poetry: 1959–1979\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003etakes as its point of departure\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMaterializzazione del linguaggio\u003c\/em\u003e—the groundbreaking exhibition of visual and concrete poetry by women curated by Italian feminist artist Mirella Bentivoglio for the Venice Biennale in 1978. Through this exhibition and others she curated, Bentivoglio traced constellations of women artists working at the intersection of the verbal and visual who sought to “reactivate the atrophied tools of communication” and liberate words from the conventions of genre, gender, and the strictures of the patriarchy and normative syntax.\u003c\/p\u003e\n\u003cp\u003eThe works in this volume evolved from previous manifestations of concrete poetry as defined in foundational manifestos by Öyvind Fahlström, Eugen Gomringer, and the Brazilian Noigandres group. While some works are easily recognized as concrete poetry, as documented in canonical anthologies edited by Mary Ellen Solt and Emmett Williams in the late ’60s, it also features expansive serial works that are overtly feminist and often trouble legibility.\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eWomen in Concrete Poetry: 1959–1979\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003erevisits the figures in Bentivoglio’s orbit and includes works by women practicing in other milieus in the United States, Eastern Europe, and South America who were similarly concerned with activating the visual and sonic properties of language and experimenting with poetry’s spatial syntax.\u003c\/p\u003e\n\u003cp\u003eArtists and writers include Lenora de Barros, Ana Bella Geiger, and Mira Schendel from Brazil; Mirella Bentivoglio, Tomaso Binga, Liliana Landi, Anna Oberto, and Giovanna Sandri from Italy; Amanda Berenguer from Uruguay; Suzanne Bernard and Ilse Garnier from France; Blanca Calparsoro from Spain; Paula Claire and Jennifer Pike from the UK; Betty Danon from Turkey; Mirtha Dermisache from Argentina; Bohumila Grögerová from the Czech Republic; Ana Hatherly and Salette Tavares from Portugal; Madeline Gins, Susan Howe, Liliane Lijn, Mary Ellen Solt, and Rosmarie Waldrop from the US; Irma Blank and Ruth Wolf-Rehfeldt from Germany; Chima Sunada from Japan; and Katalin Ladik and Bogdanka Poznanović from the former Yugoslavia.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":61764791238986,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/PI_WiCP_Cover-scaled.jpg?v=1777992234"},{"product_id":"the-hummingbird","title":"The Hummingbird","description":"\u003cp\u003eMatt Longabucco\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrom flower to flower goes the hummingbird, heart pounding, in search of anything sweet. This poet’s attention, meanwhile, hovers and darts toward ever-more attenuated spaces of enlivenment and connection in New York City and beyond, filching lyric possibilities from the shadows of indignity and dread. On riverbanks and in dive bars, hospices and deserted libraries, or “in my coffin\/reposting mentions,” Longabucco’s gift is to articulate the specific moment when abjection and edification, shame and satisfaction, banality and profundity tip into one another, only to reveal they were always, inevitably intertwined.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e'With velocity and range, Matt Longabucco offers us a version of our world, tuned by his open heart and attitude. What he finds there, in our present tense, is not always pretty, but the music is so fucking good! \u003ci\u003eThe Hummingbird\u003c\/i\u003e savors what it uncovers with propulsive, darting intelligence: the sour and the fragrant; what serves us, and how we serve each other through song so we can survive.' - Brandon Brown\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":61797549408586,"sku":null,"price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/IMG_0643.jpg?v=1778427495"},{"product_id":"pivot","title":"PIVOT","description":"\u003cp\u003eImani Mason Jordan\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePIVOT\u003c\/em\u003e is an experimental, book-length poem exploring the profound act of turning, with the Haitian Revolution as its cornerstone. It moves beyond historical narrative, scrutinising this epochal event through its critical junctures of rupture and radical reorientation. Using minimalist abstractions of language, Mason Jordan delves into the visceral and conceptual mechanics of turning: a turning away from colonial subjugation, and a turning towards new vocabularies of freedom. \u003cem\u003ePIVOT\u003c\/em\u003e examines international revolt, revolutionary fervour, and relation in the aftermath of transatlantic enslavement and European colonialism.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":61809255088458,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1772535386-900.jpg?v=1778512693"},{"product_id":"this-poor-book","title":"This Poor Book","description":"\u003cp\u003eFanny Howe\u003c\/p\u003e\n\u003cp\u003eFor decades, Fanny Howe has been our great poet of spirit and conscience, dislocation and bewilderment. In \u003ci\u003eThis Poor Book\u003c\/i\u003e, completed just before her death, she has gathered a selection of poems and excerpts from the last thirty years, including new and revised poems, and has arranged them into an astonishing singular poem. Across this brilliant reconfiguration of her work, we follow the poet as seeker, both faithful and foolish, searching for language and existence beyond the machines of economy, judgment, and war. Howe interrogates the contradiction and violence of the twenty-first century, the misbegotten experiences that have given rise to a culture of authority and adulthood rather than one of innocence and childhood.\u003cbr\u003e\u003cbr\u003eThese spare lyrical shards move with a jagged but persistent direction—leading us between doubt and belief and toward Howe’s enduring vision for a life of humility, justice, and imagination.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":61823247319370,"sku":null,"price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/thispoorbook_cover_web_2-600x.webp?v=1779130680"},{"product_id":"good-morning","title":"Good Morning","description":"\u003cp\u003eVerity Spott\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":62591347032394,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/IMG_6015.jpg?v=1786705675"},{"product_id":"sappho-terror","title":"SAPPHO TERROR","description":"\u003cp\u003eMaura Modeya\u003c\/p\u003e\n\u003cp\u003eMaura Modeya’s \u003cem\u003eSAPPHO TERROR\u003c\/em\u003e is a book haunted—by empire, by sleeplessness, by Sappho herself. In it, queerness becomes both the agent of terror and its object. “I want to be consumed. I want to disappear twice.” Extending the experiments of Mayer, Lonidier, and Stein, Modeya’s poems are as much about desire as they are about violence. They let us in on a secret: “Logic sometimes is so disgusting.” At once delirious and hyperalert, performance and document of a performance, \u003cem\u003eSAPPHO TERROR\u003c\/em\u003e disrupts the routines of everyday life from within. “Tending to the eros of writing something down.” \u003c\/p\u003e\n\u003cp\u003e'Maura Modeya’s \u003cem\u003eSAPPHO TERROR\u003c\/em\u003e takes back Plato’s Cave for the dykes. In these poems eros’ shadows reign sovereign: language is chained and casts haptic forms onto Modeya’s bedroom wall lit by Sappho’s famous fires. These poems join her chorus of “You Burn Me” with the desperate velocity only the insomniac knows. Modeya’s verse is exquisite and relentless, creaking out of the dead of night, bargaining for the possibility of touch. An assembly of aching towardness, \u003cem\u003eSAPPHO TERROR\u003c\/em\u003e is part elegy, part manifesto, part love letter that sabotages the war intestines we live in order to undivide us from our desire.'- Rosie Stockton\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":62689100300618,"sku":null,"price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1772761306-900.jpg?v=1784313094"},{"product_id":"the-elements","title":"The Elements","description":"\u003cp\u003eJean Day\u003c\/p\u003e\n\u003cp\u003eIn tightly woven yet ludic lyrics, this collection of five long poems mines tropes from embryology, morphology, and silent film to consider the first and lost causes at the foundation of a personal, social, and historical life. Day enlists elements of plant, animal, and psychological human life to ponder little-p politics, distressed personal and world histories, optimism and its opposites, delivering her takes on evolution\/dissolution with a tragicomic edge. In Day’s poetic-scientific investigations, jellyfish and “premodern thoughts” transform along slant logics and rhymes into figurations of identity and experience—an apple becomes a pear, then a new version of creation. At the same time, these five long poems put pressure on forms of knowledge and on conceptions of the “natural.” “Morphology makes us strange,” Day says, but it also makes us complicit in the sheer implausibility of human life as we know it: “Yet geometry's no less in the head \/ than a series of jerks \/ as we emerge from the water wet \/ to find ourselves \/ butts of a formal if not rational \/ concern.”\u003c\/p\u003e\n\u003cp\u003eArguing with politics, media, the fables of history, putting humans on the creaturely plane and looking at us there—“queer as a snail” that builds its shell without “recourse to a plan”—this is a book from which you learn stuff: new words, the habits of plants, film editing techniques. The natural world, its images and promises, are appended in lovely-ugly ways to “present wretched conditions” as lines braid, helix, coil, curl in sometimes-riddles, sometimes-slogans, sometimes-jokes, but always urgent in their task. I’ve long admired Day’s poems for their prudent and utopian visions. \u003cem\u003eThe Elements\u003c\/em\u003e is another of her gorgeous books. —Hannah Brooks-Motl\u003c\/p\u003e\n\u003cp\u003eIn these crystalline, witty, revelatory poems, Jean Day opens the world to us at its most fundamental level: the elemental constituents of persons, environments, communities. But work such as \u003cem\u003eThe Elements\u003c\/em\u003e doesn’t only uncover the networks and infrastructures of exchange that shape us; it takes a hammer and chisel to them. As Lyn Hejinian once wrote, and as this collection evidences, “Each element of the work, every particular, exists as a point of encounter, rather than of separability.” Through \u003cem\u003eThe Elements\u003c\/em\u003e, we hold the potential for exchange on entirely different terms. —Mia You\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":62897675305290,"sku":null,"price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1785752810-900.jpg?v=1786103332"},{"product_id":"top-40-another-volume","title":"Top 40 (Another Volume)","description":"\u003cp\u003eBrandon Brown\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Hit me baby, one more time.” A decade ago, Bay Area writer Brandon Brown created a new poetic form out of the American Top 40 Charts that rank the week’s most frequently played radio hits. Influenced by his New Narrative forebears, Brown performed an orchestral “writing through” of pop culture detritus, mashing up close readings of the hottest songs of the moment with confessional writing of Augustinian intensity while making unexpected literary connections to ancient history. Susan Landers commented, “How endless this poetry will make us.” Spinning us ’round (like a record, baby), history’s repeating!\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; ; white-space: pre-wrap;\"\u003eOops, he did it again. Ten years down the line, Brown revisits the Top-40 playlist—and it turns out, a lot has changed! This isn’t a sequel. This isn’t even like the time Taylor Swift re-recorded her early albums due to rights issues. \u003cem\u003eTop 40 (Another Volume)\u003c\/em\u003e is a brand-new sonic adventure. This is a book that anyone can pick up and read; it will provide a friendly embrace, like a miracle on the dancefloor. But fans of the previous \u003cem\u003eTop 40\u003c\/em\u003e will find the poet navigating familiar issues like substance use or Bay Area gentrification as well as entirely new challenges like parenthood and aging. Brown has lived more and lost more. Fall Out Boy’s crass rewrite of “We Didn’t Start the Fire” becomes an unexpected platform to mourn a mentor. Kylie Minogue’s summer hit “Padam Padam” evokes a painfully unresolved friendship. Take a long drive with the radio on. In this long-anticipated follow-up to one of Roof Book’s classic titles, Brandon Brown shows us new ways of listening to and engaging with culture.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; ; white-space: pre-wrap;\"\u003e“It’s ten years later, and the songs Brandon Brown writes through in this new \u003cem\u003eTop 40 (Another Volume)\u003c\/em\u003e are more ready to die for you, baby, and to throw themselves into that great Heraclitean Fire that promises the comfort of resurrection. The poet takes part in the same cycle of self-consuming generation, but he is giving life. Brown collaborates with Kylie, devastatingly, to bring back the dead, while he reads aloud to newborn Earlie and petitions oracles to tell us how our future blood might pump. You know how music makes you nostalgic for lovers you never lost? Brown does the same, but for experiences like studying Spinoza with Lyn Hejinian. He makes the private popular.”\u003cem\u003e—Rainer Diana Hamilton\u003c\/em\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":62897787601226,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/IMG_6515.webp?v=1788172239"},{"product_id":"she-tries-her-tongue-her-silence-softly-breaks","title":"She Tries Her Tongue; Her Silence Softly Breaks","description":"\u003cp\u003em. nourbeSe philip\u003c\/p\u003e\n\u003cp\u003eBrilliant, lyrical, and passionate, this collection from the acclaimed poet m. nourbeSe philip is an extended jazz riff running along the themes of language, racism, colonialism, and exile. In this groundbreaking collection, philip defiantly challenges and resoundingly overthrows the silencing of black women through appropriation of language, offering no less than superb poetry resonant with beauty and strength.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eShe Tries Her Tongue; Her Silence Softly Breaks\u003c\/i\u003e was originally published in 1989 and won the Casa de Las Americas Prize. This new edition includes an introduction by Katherine McKittrick\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":62898095489354,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/philip-She-Tries-Her-Tongue-Her-Silence-Softly-Breaks.jpg?v=1786111867"},{"product_id":"quasars","title":"Quasars","description":"\u003cp style=\"white-space: pre-wrap; transition-timing-function: ease; transition-duration: 0.4s; transition-delay: 0.15s;\" class=\"preFade fadeIn\"\u003eMohammed Khaïr-Eddine (trans. Jake Syersak)\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap; transition-timing-function: ease; transition-duration: 0.4s; transition-delay: 0.15s;\" class=\"preFade fadeIn\"\u003eThe last poetry collection of Moroccan writer Mohammed Khaïr-Eddine (1941–1995) is both a fiery warning and a luminous cry for transformation hurled into some of history’s darkest shadows.\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\" style=\"white-space: pre-wrap; transition-timing-function: ease; transition-duration: 0.4s; transition-delay: 0.155172s;\"\u003e\u003cspan class=\"sqsrte-text-color--darkAccent\"\u003eThreading myth and geopolitics, ancestral ritual and atomic physics, \u003cem\u003eQuasars\u003c\/em\u003e rages across Morocco, Haiti, Algeria, Rwanda, Palestine, and beyond—unearthing the psychic wreckage of colonialism and authoritarian rule. Khaïr-Eddine’s poetic incantations—prophetic, hallucinatory, razor-sharp—cut through the void of a silent universe, burning beyond elegy to kindle a spark of renewal. Composed mostly in 1994, during the final year of his life, these texts ignite an unrelenting blaze of cosmic revolt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\" style=\"white-space: pre-wrap; transition-timing-function: ease; transition-duration: 0.4s; transition-delay: 0.155172s;\"\u003e\u003cspan class=\"sqsrte-text-color--darkAccent\"\u003e“These are Mohammed Khaïr-Eddine’s final poems, written while ill in Rabat after a life of restless wandering. As usual, his sovereign verve, his solidarity with the downtrodden, and his closeness to the earth pervade the ‘rolling tides’ of his lines. But there is also an expansive cosmology at play that gives the book its spiritual leanings. These tales are full of prophets and demons. They depict a world suspended between utter ruin and incomplete rebirth under ‘the celestial glow \/ of tunneling meteors.’ They appeal to myth and memory as antidotes to the ‘flawless arrow’ of time, to ‘miseries more deadly than hunger.’ There is great maturity not only to the poems, but to the English translations; and Khalid Lyamlahy provides a richly textured introduction.”—Omar Berrada\u003c\/span\u003e\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":62898464162122,"sku":null,"price":22.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/1787130225-900.jpg?v=1790256960"},{"product_id":"mother-1","title":"Mother","description":"\u003cp\u003eDorothea Lasky\u003c\/p\u003e\n\u003cp\u003eDorothea Lasky’s stunning new collection of poems presents an unfurling, terrifying, and fiercely loving embodiment of motherhood as a force of creation. Inspired by Bernadette Mayer’s \u003ci\u003eThe Desires of Mothers to Please Others in Letters, \u003c\/i\u003eLasky writes from the inner realm of a third pregnancy and guides us through a suspended timeline taut with anticipation. \u003ci\u003eMother\u003c\/i\u003e documents caring for small children, the death of the mother, and the simultaneous anxiety and darkness of impending birth, as Lasky transmits from a deep mythic and biologically immediate space: “And even though I’ve spent \/ Eight months now \/ Dreading the sight \/ Of anything red \/ Now I long to bleed all over.” Invoking the eternal symbol of the mother, Lasky asks us to consider an expansive understanding of the horror and devotion inherent in the daily practices of existence. \u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":63054977270090,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/Mothercover.jpg?v=1791212012"},{"product_id":"deaf-material","title":"Deaf Material","description":"\u003cp\u003eChristine Sun Kim\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDeaf Material\u003c\/em\u003e by Christine Sun Kim showcases the artist’s vast archive of deaf imagery in mainstream culture. Personal yet expansive, the publication collects over 600 vernacular photographs and images Kim has taken in her daily life or collected from books, online resources, and the archives at Gallaudet University. Frustrated by the lack of documentation of Deaf history, Kim began this project in an effort to determine what and who defines deaf aesthetics.\u003c\/p\u003e\n\u003cp\u003eThe breadth of the archive—which spans pop culture imagery, memes, advertisements, disability signage, artworks, personal ephemera, and much more—presents an overview of deaf visual culture filtered through the incisive criticality and biting humor that the artist has become known for. It is the artist’s hope that \u003cem\u003eDeaf Material\u003c\/em\u003e will inspire others to begin their own archival projects so that a public and global archive of Deaf culture will emerge.\u003c\/p\u003e\n\u003cp\u003eThe publication unfolds over the course of 400 pages with a Tumblr-style aesthetic that is framed by 24 distinct categories such as \u003cem\u003eAirports\u003c\/em\u003e, \u003cem\u003eCelebrity ASL\u003c\/em\u003e, \u003cem\u003eCall and Wait\u003c\/em\u003e, \u003cem\u003eDeaf Power\u003c\/em\u003e, \u003cem\u003eDeaf\/death\u003c\/em\u003e, \u003cem\u003eParking Lots\u003c\/em\u003e, and \u003cem\u003eTrash\u003c\/em\u003e. Kim teases out subtle connections through recurring visual patterns and thematic motifs across these chapters. Interwoven with these images are captions by the artist that expand on the archive through anecdotes, historical context, and commentary, providing an outline of deaf experiences and aesthetics since the late nineteenth century.\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":63840878756170,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/20251218_PI_CSK_Cover_Web-772x1024.jpg?v=1791393974"},{"product_id":"making-verse-the-typography-of-poems","title":"Making Verse: The Typography of Poems","description":"\u003cp\u003ePhil Baber, editor\u003c\/p\u003e\n\u003cp\u003eThis is a book about typography and poetry, the typography \u003cem\u003eof\u003c\/em\u003e poetry. Which is to say, it is about the ways poets have thought about and deployed the visual properties of language. It begins from the premise that the smallest details of typographic arrangement can make legible the relationship between what a poem says and does – its sounds, meanings, unmeanings – and the physical and social processes that bear upon it. The book brings together letters, manuscripts, proofs, and other archival documents that illuminate the shadow work of textual production (editing, typesetting, printing). It prioritizes documentary sources and the words of poets and their collaborators over theoretical argument, though there is some of that too.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMaking Verse\u003c\/em\u003e was edited, designed, and printed in sixteen-page signatures over two and a half years, and bound in the autumn of 2026. It contains writing by, commentary on, and archival material relating to Kamau Brathwaite, Karen Brodine, Emily Dickinson, Robert Duncan, Friedrich Hölderlin, Susan Howe, Bernadette Mayer, Charles Olson, J.H. Prynne, Samuel Solomon, Keston Sutherland, John Wieners, and others.\u003c\/p\u003e\n\u003cp\u003eThe longest entries in its index are “labour,” “line (poetic),” and “spacing (typographic).”\u003c\/p\u003e","brand":"Boekhandel Perdu","offers":[{"title":"Default Title","offer_id":64109070451018,"sku":null,"price":27.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/2782\/9974\/files\/IMG_9100.jpg?v=1793052785"}],"url":"https:\/\/boekhandelperdu.nl\/en\/collections\/uitgelichte-engelstalige-titels.oembed","provider":"Boekhandel Perdu","version":"1.0","type":"link"}